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100 Objects that Shaped Public Health, Behind the Scenes of Es Devlin's Latest Project and Some Unexpected Ikea Facts

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Core77's editors spend time combing through the news so you don't have to. Here's a weekly roundup of our favorite stories from the World Wide Web.

My Mom Grew Up in a Utopian Colony in Iowa

Today I'm reading about the Amana Colonies, a former utopian society in Iowa that dated back to the 19th Century. Although similar to the Amish in many ways, Amana residents embraced technology—and started producing freezers, microwaves and air conditioners in the mid-20th Century.

—Rain Noe, senior editor

100 Objects that Shaped Public Health

From "Radium Girls" to the "Limulus test" a supply of health related anecdotes for deployment this weekend. Supplied by John Hopkins as they celebrate/promote the 100th anniversary of their school of public health.

—Eric Ludlum, editorial director

Inside the Mind of a Quirky Set Deisgner

Earlier this week, i-D debuted The Fifth Sense, an online platform celebrating women across the creative industries. The series' first project is dedicated to Es Devlin, the set designer responsible for producing works ranging from Kanye West's Yeezus tour to the 2012 Olympic Closing Ceremony. Remember when Miley Cyrus rode a slide emerging from her own mouth during her Bangerz tour? Also Devlin. This short documentary profiles the artist as she works on Mirror Maze, her first solo exhibition that features an immersive, Chanel perfume-inspired maze of mirrors that takes you to a different dimension. 

Mirror Maze is on view this weekend in London. 

—Emily Engle, editorial assistant

Ikea Forever

An article detailing some very juicy and fascinating facts about the Swedish furniture giant (for example, "it's said that one in 10 Europeans is conceived in an Ikea bed")—plus, the particular formula that makes it a worldwide phenomenon.

—Allison Fonder, community manager


A Shop Table Made from One Sheet of Plywood, a Folding Outfeed Table, Turning a Table Saw Into a Lathe and More

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Brass Cannon

This is nuts. Jimmy DiResta makes a functioning miniature cannon from scratch. The amount of fabrication here is impressive, and of course he fires the thing at the end:

How to Use a Table Saw as a Lathe

Years ago, Izzy Swan developed a jig that essentially turns a drill and table saw into a lathe:


This year he's back with a new, improved version that can be used to quickly create spindles:

Electric Reciprocating Solenoid Engine

Mechanical problem solving: Matthias Wandel figures out how to create a motor powered by a solenoid.

Screen Door Revamp

Only Frank Howarth could make refurbishing a screen door fun to watch!

Fixing Wooden Toys

Another from Howarth, who has a series of tiny repairs to make on a variety of broken toys:

Shop Table From One Sheet of Plywood

Jay Bates and April Wilkerson team up to create a shop table made from one sheet of plywood:

Organizer for the One-Sheet Shop Table

Here's how Nick Ferry modified the table that Jay and April built:

Folding Outfeed Table For Table Saw

And here's April Wilkerson's design for a folding outfeed table for her table saw:


A DIY Multifunctional Toilet Lid, Everything You Need to Know About Buying Chisels, a Folding Brass Key Set and More

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Kreg Automaxx Clamps Demo

Steve Ramsey does a sponsored video for Kreg, running down their Automaxx clamping system:

Kids' Kitchen Step Stool

The Wood Whisperer shows you how to make a sort of booster platform for kids, allowing them to participate with, or just watch, as you cook in the kitchen:

Chiselology

In this "Tool Talk" episode, the Samurai Carpenter runs down everything you need to know about buying chisels (with an emphasis on the Japanese variety):

Raspberry Pi Media Center

Bob Clagett makes a Raspberry Pi media center, rigging it up to look like a tiny version of his full-sized arcade machine build:

Ring and Hook Game

A short and sweet one from La Fabrique DIY:

Chipped Plaster and Brick Wall

Sandra Powell shows her skill at improvising distressed finishes by creating this faux brick-and-plaster wall:

Folding Brass Keys

Laura Kampf creates a wicked folding brass key set:

One From the Archives: Custom Toilet Tank Lid

This is hilarious. Ben Uyeda casts his toilet tank lid in silicone, then creates a concrete dupe that he embeds with arms to hold a variety of items:


Design Job: Save Gotham Through Design as Mattel Inc.'s Sr. Action Figure Packaging Engineer in El Segundo, CA

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Mattel, Inc. is seeking a creative Sr. Packaging Engineer to join its team of innovative packaging professionals within its Action Figures division. We are seeking a creative packaging individual who is involved in the package design process (not just production process) and proficient in Artios CAD and 3D modeling (i.e. Solidworks). We’re looking for a confident individual able to drive the packaging process with exceptional project management and creative skills.

View the full design job here

Today Only: Ridiculously Inexpensive Shelf Brackets!

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For those of you with workshops, nothing is more handy for organizing than building quick shelves. It uses up dead wall space and gets items off of your worksurfaces. Well, I just found out that Lee Valley is having a sale--which unfortunately ends today--where they're selling 36 freaking brackets (12 3"x4", 12 5"x6", 12 6"x8") for just $9.70!

A: 3x4 - B: 5x6 - C: 6x8

At 27 cents a bracket these are way cheaper than what they're going for at my local hardware store, and while I admittedly live in expensive Manhattan, the Lee Valley brackets are still about half the price of what I see on Amazon.

As for why they're so cheap, Lee Valley claims that:

Because stamped-steel shelf brackets are bulky and low-cost, it seems that market pricing is based more on the cost of storing and handling than on the price from the manufacturer. By selling the brackets in compact packages, we can offer them at half the average retail prices in other hardware stores.

Ever Wish You Could Photorealistically View Design Modifications While You Work?

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Product designers have used photorealistic rendering of final designs for years. But one area has been impractical until now—using photoreal visualization early on during the design process, while still iterating on a product design. In fact, most designers are just used to doing without it or saving it for the end of the process, as the existing technology has been difficult to use and too slow to fit into the process.

NVIDIA Iray for Rhino is a rendering plug-in for designers using McNeel Rhinoceros® that lets them view physically based photorealistic visualizations of their models while they work.

Physically based rendering (PBR) has been around for several years, and refers to using realistic shading and lighting, while simulating the physical behavior of materials and lights. With PBR, designers can view physically accurate models, which reduces the need for educated guesses when it comes to design material decisions. How does a second layer of clear coat affect the appearance of a textured surface of a product? How will changes to plastics, glass, or polymer colors appear in real life? Questions like these can be answered quickly and reliably with Iray for Rhino.

Even though PBR isn't new, this plug-in is revolutionary in its ability to harness the power of NVIDIA Quadro® GPUs and Iray to enable design iteration using photoreal visualization on the fly. Designers can stay in the creative flow as they make their modifications, without having to take a lunch break or wait overnight for photoreal renders. One of the great things about Iray is the scalability of performance with GPUs. For the ultimate in rendering power, users can use the Quadro Visual Computing Appliance (VCA), a network-attached appliance that massively accelerates the time to noiseless physically based global illumination.

These charts give you an idea of the performance scaling up the Quadro desktop and mobile product range.

Iray is integrated into Rhino, rendering directly within the viewport to offer continual, accurate feedback as designers craft their model's form, materials, and lighting—all without specialized knowledge or a complex setup. Designers can easily create or modify physically based lights and materials with an integrated material editor. All the materials and lights, including the NVIDIA vMaterials Library, are built with the NVIDIA Material Definition Language (MDL), and they can be shared with other MDL-compatible tools.

MDL is render-agnostic, defining physically based materials and lights so designers can access a common library—or create their own. MDL aims to help bridge the divide between 3D design applications by making materials and lights available from end-to-end in the design process. They're portable from one design tool to the next, so engineering, industrial design, and marketing departments can all exchange 3D designs without losing their material definitions. That means no more throwing away valuable design work and starting over at each stage of the process.

Another tool for facilitating advanced rendering is the NVIDIA vMaterials catalog, a free suite of 600+ and continually growing curated and calibrated real-world materials described in MDL. Designed and verified by NVIDIA's material specialists for accuracy, control, and consistency, vMaterials provide a fast, reliable way to add realistic materials to product designs. Users can easily browse, change, and adjust materials to get just the look that's needed within the supported applications. While vMaterials is the perfect addition to the Iray plug-in products, it can be used in any application that supports NVIDIA MDL.

In addition, NVIDIA Iray® Server is a software solution that provides distributed Iray rendering across networked machines. It uses a common installation and license to deliver traditional offline batch rendering with Iray Queuing and interactive rendering with Iray Streaming to all NVIDIA Iray plug-in products, without the need to install any other application. All machines running Iray Server coordinate with each other to reduce the time needed to render an image. This allows a render farm to process poster-size images in a fraction of the time of a single machine. Streaming is a professional feature that's constrained to a single machine and only works with Quadro and NVIDIA Tesla® GPUs.

NVIDIA Iray rendering technology is a big step in democratizing interactive photoreal design visualization using physically based rendering. Now, Rhino users can take advantage of the NVIDIA for Rhino promotion and try Iray rendering solutions free by registering for the 90-day trial today.

This Week: Join us in LA for the Core77 Conference, Analyze Frank Lloyd Wright and Philip Johnson's Relationship, and Get Your Textile On One Last Time

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Jumpstart your week with our insider's guide to events in the design world. From must-see exhibitions to insightful lectures and the competitions you need to know about—here's the best of what's going on, right now.

Monday

Another Design Week (keep 'em Coming): Budapest Design Week

From industrial design to fashion, Budapest Design Week aims to place an emphasis on the importance of design-conscious thinking and raise social awareness of the economic and social roles of design. Events include programs both for the public and for professionals.

Budapest, Hungary. Events run through October 2, 2016.

Tuesday

Open Discussion: Adopting User Centered Design

AIGA Boston is facilitating a candid conversation about the constraints and potential of User-Centered Design, a methodology that has permeated how we develop products, services, and even policies. Learn about the unique difficulties of adopting UCD, and its benefits compared to other approaches.

Cambridge, MA. September 27, 2016 at 5:30 PM.

Wednesday

Book Talk: Architecture's Odd Couple

Differing radically in their views on architecture, Frank Lloyd Wright and Philip Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. This illustrated lecture traces the historical threads connecting the two architects and offers the audience a distinct perspective on the era they so enlivened with their designs.

New York, NY. September 28, 2016 at 6:30 PM.

Thursday

It's Finally Here: Core77 Conference: Designing Here/Now

We don't mean to brag, but our Conference has got it goin' on. It's not too late to be part of the action—purchase your ticket today!

Los Angeles, CA. September 29, 2016 through September 30, 2016.

Friday

Ending Soon: New York Textile Month

After one month of fabulous exhibits, workshops and events, New York Textile Month is finally coming to a close. Don't miss out on the fun with last-minute events happening throughout the week, including a workshop and lecture centered around recycling in design and 'visable mending.'

New York, NY. Events run through September 30, 2016.

Saturday/Sunday

GREEN GOOD DESIGN 2016 awards, FRENTE arquitectura / RVDG arquitectura + urbanismo

Last Call: GREEN GOOD DESIGN Competition

GREEN GOOD DESIGN's goal is to give international recognition to outstanding groups or individuals—together with their products, services, programs, ideas, and concepts—that have inspired greater progress towards a healthier and more sustainable universe. This weekend is your last chance to submit your projects.

Online Competition running through October 1, 2016.

Check out the Core77 Calendar for more design world events, competitions and exhibitions, or submit your own to be considered for our next Week in Design.


Soon, You Too, May Bedazzle Your Home in Internet

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Anyone who's experienced slow-loading videos and seemingly never-ending downloads knows the pain of a poor WiFi connection. It's a problem many are trying to solve (just take a look at Starry and OnHub), but newcomer Plume thinks they have the solution: magic internet jewels.

Advocating for users to ditch their router, Plume is introducing a system of faceted WiFi-powered nuggets that they believe will revolutionize WiFi distribution. The system works through a series of small pods that can be plugged into any outlet and placed around the home. Through a centralized router in the cloud, these pods coordinate to optimize the flow of bandwidth to the devices that are using it.

The concept first arose when technology pioneers Fahri Diner, Aman Singla, Adam Hotchkiss and Sri Nathan got together at the end of 2014. With their collective achievements in the field of technology including long-distance fiber optic networks and a WiFi chip that's now more common in phones than the Facebook app, the crew was more than equipped to tackle the challenges of spotty WiFi coverage. Together they came up with a better way of distributing WiFi around the house by moving the dynamic "brain" function to the cloud and placing links to the source, in the form of little pods, in every room of the home. "We refer to this as 'Adaptive WiFi,'" says Diner, now CEO at Plume.

While traditional routers have two functions, compute and radio, Plume works by deconstructing the router and separating these two responsibilities. "We've moved the compute functions to the cloud, where processing power is scalable, powerful and inexpensive," Diner says. "In the cloud, decisions can be made about channels, bandwidth and connected devices. We've left the radio functions in the home, making them smaller, so that they can be sprinkled all around the house for better WiFi coverage."

Thanks to the abundant power of the cloud (hello, 2016), the Plume team says that the system is able to self-optimize the WiFi network for each home, balancing the bandwidth needs of various devices and learning their habits over time. "Adaptive WiFi doesn't just respond to events in real-time, such as neighbors getting home and WiFi becoming congested," Diner says. "Plume is intelligent enough to learn, for example, that someone watches a 4K stream on a TV in the living room at 7PM on Wednesdays, and will automatically configure your home's WiFi in advance of 7PM to ensure that the streaming won't buffer."

With this concept in mind, Plume teamed up with San Francisco-based design studio Branch Creative to give it shape and form. "The shape was inspired by the simple idea that these products need to work together as part of a greater system," says Josh Morenstein, a partner at the studio. "Until they are deployed throughout your home, the identical pods nest and ship beautifully and efficiently together." Resembling small chunks of plastic crystals broken off a magical internet-bestowing geode, the pods arrive in a lined box in sets of six.

"Once the concept was selected we worked through hundreds of sketches and models to bring the concept to reality while preserving the design intent," says Nick Cronan, another partner at the studio. "When creating a new piece of technology, there should always be a healthy push and pull between design and engineering—when both the design and engineering teams are excited, you know you have something special."

That push and pull was very much real. "One big challenge was to keep the design free from overly functional details—things like holes for vents and ribs for cooling," Morenstein says in a statement that would make any engineer cringe. The Branch team wanted the pods to be "more akin to home furnishings than something associated with consumer electronics." The designers also pushed for the pods to be as small as possible to convey the magic of their technology.

"Designers are usually pushing for things to be smaller and this was no exception," Cronan says. "However, in this case size was even more critical because the Pods are placed directly in outlets, where space is already at a premium. The Pods are designed to fit international standards for wall outlets without monopolizing the entire wall plug."

Meanwhile, the Plume team had hundreds of components they needed to fit in Branch's idealistic design. "It required meticulous precision," Diner says on the internal hardware. "Everything is considered, even down to the screw size and length." Balancing that push and pull proved to be one of the biggest challenges of the project as Branch pushed for the pods to be perceived as small gems, while functional requirements of the small electronics pulled against those limits.

Despite hundreds of components, the Plume team assures us that the hardware inside the pods isn't especially complex. "Our chips aren't as muscular as some of the more expensive centralized routers you might find on the market, but we don't believe putting all the WiFi horsepower in one location of the house is the best architecture," Diner says. "Instead, each home is covered by multiple, distributed WiFi pods, delivering comprehensive coverage through coordination with the Plume cloud. We hold 15 issued patents, with another 24 patents pending, for our Adaptive WiFi platform."

Antennas for 5GHz and 2.4GHz have been custom designed and tuned to perform as well as larger WiFi routers, even when crammed into the small, individual pods. Adaptive WiFi algorithms were refined and perfected using data over the past few months, and the team says they will continue to improve once they're out in the world on a larger scale.

"Many router manufacturers are focusing on the wrong thing: bigger size and more power from a single unit," Diner says. "But that approach is just like trying to light an entire home using one light bulb in the living room. We knew that our approach to WiFi—moving the router to the cloud—was not only going to give us infinitely better performance, it was going to give us a new kind of freedom in our design."

The entire network of pods is controlled through an app that lets users control who can use the WiFi as well as track speeds and add or remove additional pods. "Our mission was to make home WiFi better, faster, more reliable and beautiful, and we got to design something from scratch in order to do so," Diner says.

The Plume networks are currently available for pre-order through Plume's website at $39 per pod with a minimum order of six pods (a final pricetag of $234). Clever. They also come in classy tones like champagne, silver and onyx. While the concept sounds promising (and I much enjoy the idea of putting tiny inexpensive internet jewels throughout my apartment), I'm eager to hear reviews from folks once these roll out.



A Digital Inhaler that Displays Real-Time Medication Advice and Updates

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Cardboard Helicopter developed a digital inhaler to include a digital readout to allow patients to know more about the inhaled dosage, the amount of pumps that remain, as well as insight about the optimal moments to use the device, all in real time. The intuitive application was also developed to detect impairment in medication usage, and boasts enhanced product stability and increased lung penetration of the medication.

View the full content here

Countdown to the Core77 Conference

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In just a few days we'll be gathering in Downtown Los Angeles for the annual Core77 Designing Here/Now conference. Join luminaries from the disciplines of arts, science, engineering and business this Thursday and Friday (September 29-30) as we share insights on leading successful projects from concept to launch. 

The theme of this year's conference is about how design will lead interdisciplinary teams to build successful, game-changing products of our near future. Hear keynotes from IDEO, PAX Labs, Hyperloop One and more speak about compelling storytelling, human-centered design in the age of technology and lean startup strategies. This year's #Core77Con will inspire innovative ways of working and equip attendees with the tools for cultivating exceptional interdisciplinary talent.

Don't miss out on the best design party of the year! Join us on Thursday and Friday for Core77 Conference in Los Angeles. Buy your ticket today!

Why "How Much Does It Cost to Make an iPhone" Analyses are Misleading to Consumers

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Please circulate this among your friends who are not industrial designers. Because just when we think an awareness of our role has finally permeated society, we see we've still got a ways to go. Take, for example, the rash of "How Much Does It Cost to Make an iPhone?" videos. In a typical example, last year CTN Technology Newsbroke down the cost of a 6S Plus, then breathlessly exclaimed that "[It] actually costs $236! [It] costs $749 in stores, but it's definitely not worth anywhere near that!" More recently, CNN Money broke down the cost of the 7:

So the materials cost is $292, and it retails for $749. I've noticed that people love circulating these videos on social media, and...

...the impression seems to be that for every iPhone 7 that Apple sells, $457 goes straight into their bank account and stays there.

Laypeople, please think this through. First off the materials cost of an individual unit is what's known as a Bill of Materials, or BOM, in our industry. (We don't expect you to have heard of that term any more than you lawyers can expect us to know what the hell tort reform means, but we're mentioning it here for the sake of edification.) Now consider what the BOM covers: All of the phone's parts. The ingredients list, if you will. That's it.

Let's step forward in time. What happens after it gets out of the factory? These iPhones go into boxes. Those cost a couple of cents, too. Then they get loaded onto trucks. Then ships and airplanes, then trucks again. People load and unload them. And unsurprisingly, there aren't any companies willing to provide fuel, vehicles, drivers, pilots and longshoremen for free.

Let's keep going. How did you hear about the iPhone? A lot of it probably came from blogs, news or social media, some of that tied back to Apple employees. Dozens or hundreds of people in Marketing running around creating materials, arranging photo and video shoots and drawing salaries.

Okay, let's go back in time. Before the factory workers are called in to start building the phones, a bunch of supply chain folks had to figure out where they can get those parts, and arrange for their delivery. And before that, a bunch of engineers had to figure out how all of the parts go together in the first place. And yes, all of these people draw salaries, too.

Let's go even further back in time. Before the engineers and supply chain folks had problems to solve, there was no such thing as an iPhone 7. It doesn't come out of thin air. R&D had to be done. A team of industrial designers sat down and started burning through paper and gigabytes to figure out what the hell an iPhone 7 is. And as smart as these people are, they don't get it right on the first sketch, the second mock-up, the third rendering, the fourth prototype. They spend countless hours producing iteration after iteration, sweating small details and traveling down countless paths that they will later have to abandon in favor of a more promising one.

All of that costs money.

Now, do all of those costs eat up all of the $457 differential? Of course not. Apple is a fabulously wealthy company that enjoys a hefty profit margin on each of their products, and that's their right. It's up to them to set the price wherever they want it, and it is up to us as consumers to decide to buy their products or not. If Apple is successful, it is us who have made them so; if they become irrelevant, it will be us who have decided so.

What I don't like is laypeople being misled into thinking that Apple enjoys a profit of $457 on each iPhone 7. That notion completely disregards the efforts of the hundreds or thousands of people who put in the time to make the product a reality.


Bad UX: Wireless Emergency Alert Asks Public to Spot Terrorist, But Can't Include Pictures or Links

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When a then-unnamed bomber detonated his homemade bomb in New York City on September 17th, injuring dozens, he used a cell phone as a timer. Several mornings later, I was in downtown Manhattan when my own cell phone made the "emergency alert" noise. Here was the message:

I looked across the street to see a businesswoman had also pulled her phone out and was peering into it. And I thought, this is kind of cool, that the authorities can use cell phones to enlist all citizens to help find a potential terrorist.

Then I looked at the message again. It said "See media for pic" which I assumed meant an attached file, and I tried clicking on the message, but nothing happened. Then I realized they meant "See media" as in "go look it up in a newspaper, website or on TV," which is ridiculous. How the hell are we supposed to spot somebody based on their name? Why wasn't there at least a hyperlink to a website with his photo on it?

It's limited to 90 characters. Even worse, the FCC has banned hyperlinks, embedded phone numbers and multimedia.

Well, as it turns out, the system that sent the message to my phone is the same as what you in tornado country may have received one on to warn of an impending twister: 

The Wireless Emergency Alerts system, or WEA, is "a public safety system that allows customers…to receive geographically-targeted, text-like messages alerting them of imminent threats to safety in their area. The technology ensures that emergency alerts will not get stuck in highly congested areas, which can happen with standard mobile voice and texting services."

This system would've come in damned handy on 9/11, when none of us could get text messages through and nobody knew what the hell was going on. (After the planes hit, I started the 60-block walk from my office in midtown to my apartment downtown, directly towards Ground Zero. I didn't know if this was a good idea but I didn't know what else to do, and some guidance would've been helpful.)

So it's great that WEA exists--but its limitations are absurd. For one thing, it's limited to 90 characters. Even worse the Federal Communications Commission, which regulates the WEA, has banned hyperlinks, embedded phone numbers and multimedia. They've not explained why. Assuming it's a technical issue to do with the never-gets-stuck nature of the messaging, America surely possesses the brainpower to overcome that.

New York State Senator Charles E. Schumer knows this problem has to be fixed, and yesterday held a press conference calling on the FCC to do so:

"In light of the need to respond in real time to terror threats, we can't afford to have an emergency wireless response system that is stuck in the 90's. The bottom line is that in the era of Instagram, Facebook and SnapChat our Wireless Emergency Alert System needs to get as smart as our phones and be updated so it can deliver photos and other media that has information that can save lives."

The FCC, for their part, says they're planning on upgrading the message capacity from 90 to 360 characters. But until they figure out how to accurately draw bombers with emoticons, that's not enough.

An Architect's Take On Cake

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An innate fascination with food is a structural part of being human, but what about structural food? Dinara Kasko is an architect-trained pastry chef, and her work melds classic desserts with stark geometry and 3d printing. While inviting, Kasko's creations look less like food and more like architectural renderings or diagrams from a chemistry textbook. 

After graduating from Kharkov University Architecture School, Kasko started her career as a design-visualizer at at Dutch architectural firm. After a few years of imagining, illustrating and photographing buildings, she took time off to have a kiddo and reconsider her options. 

It appears that she's found a sweet middle ground between interests. She now uses her background in precise aesthetics alongside culinary perfectionism, aided by 3DMAX modeling and 3D printed silicone molds. 

Aggressively shaped modern food has gone a bit out of fashion in the States, in favor of "honest ingredients" and fusiony takes on "authentic" homestyle dishes. While good food is always good, the excitement and awe prompted by highly designed food is hard to describe. Many chefs and food theorists consider sense confusion a great tool for deepening an experience of food, since core assumptions about texture, color or form as they relate to flavor are tossed out. 

Gratuitous soothing pastry video

While some of her designs harken back to more aestheticized architect/culinary crossovers of the past, I'd bet the use of sugar and fat guarantees these "function" just fine. Whether or not it helps me pick up nuances of flavor, I'd love to take a bite out of a sleek confectionary building just to know how Godzilla feels.

Catch more of Dinara Kasko's work on her Instagram.

Design Job: Dream of Collaborating With Creatives Across All Fields? John McNeil Studio is Seeking a Production Designer in Berkeley, CA

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John McNeil Studio is looking for a Production Designer to join our team in Berkeley. We are a collective of strategists, writers, designers, filmmakers, technologists, musicians, and photographers who help companies tell compelling stories and build brands. We love digital but embrace print. We are founded in aesthetics, but also in utility. We make things that make brands grow.

View the full design job here

ID Student Uses Einstein-Designed Refrigeration to Deliver Vaccines Better

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While you were busy doodling hover cars and sharpening your Wacom stylus, William Broadway developed a final year project that might save millions of lives. Annually. His project, the ISOBAR, aims to help temperature stabilize vaccines for safer delivery in regions with hot climates or barriers to delivery. The cold heart of his project relies on a two-phase ammonia-water absorption design drafted by Albert Einstein (yes that one) as part of an electricity free refrigeration system. Shrunk down and aimed at vulnerable populations, it's garnered him a national James Dyson Award.

The viability of delicate supplies like vaccines relies on both timely delivery and mitigating the impact of environmental factors—factors that become increasingly volatile in regions with fewer infrastructural resources. Broadway spent time in several developing countries before starting on his ID degree program, witnessing firsthand the large number of vaccines lost to temperature instability in the proverbial "last mile" of their journey. This loss is compounded by the need to use cheap transportation options, which (like ice packs) can themselves endanger the viability of the vaccines. 

ISOBAR holds materials at a steady temperature (between 35-47 degrees F.) for up to 6 days when kept in its insulated bag. The pod's chemical cooling can then be "recharged" with propane or electricity, and flipped to reactivate the chemical reaction. 

Saving vaccines from going bad isn't just an economic efficiency issue. Lack of access to vaccines affects up to 19.4 million kids annually, and according to the World Health Organization this type of tech could save up to 1.5 million lives each year. As William himself noted after working with a medical device consultancy, traditional market pricing keeps even simple medical technology from reaching vulnerable populations. 

Broadway has now graduated from Loughborough University, and is intent on keeping the design patent-free and getting it out into the world. As he put it in an interview with Newsbeat, "I make things every day for people who have everything...I wanted to make something for people who have next to nothing. It should be a basic human right, in my opinion, to have a vaccination."

Kudos to William on the attention his cool pod is getting, and good luck in the next round of Dyson finalists.



Wonderful Furniture and Object Designs from Anna Lindgren and Sofia Lagerkvist

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Anna Lindgren and Sofia Lagerkvist are the design duo behind Front, the Stockholm-based Swedish design group. The fresh, innovative work they do makes it hard to click away from their portfolio. Check out, for instance, this clever coatrack they did for Materia:

Or this beautiful Water Steps faucet for Axor:

Their Front Page magazine rack for Kartell recalls the flipping pages of a book:

Their Inlay drawers for Porro play tricks on your eyes:

As does their Changing Cupboard, whose tones change with the light:

Their Hideout Lounge Chair for Gebrüder Thonet Vienna is perfect for those who prefer to text in privacy:

And their Umbrella Stand for Wallpaper & Alpi provides a simple way to prevent shorter umbrellas from disappearing:

Check out more of Lindgren and Lagerkvist's work here.

Reader Submitted: A Stylish Way to Collect Food Waste?

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Sink Scooper is a simple and easy way to clean your kitchen sink that allows you to keep your hands clean and save paper towels. It's convenient, economical, and you can easily compost your food scraps after use.

View the full project here

Yea or Nay? The WorkBox, a Hideaway Workstation and Storage Unit

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For those who do desktop crafts, the WorkBox is a made-in-the-U.S.A storage unit and workstation that folds in on itself and hides everything away when not in use. Take a look:

The design of the storage units is undeniably intelligent. But after watching the video, I teetered back and forth on the UX. On the one hand, it's fantastic to have that much storage and organization with such a small footprint, and it's great that you can hide everything away when you're not engaged in the work.

On the other hand, look at the size of the unit when closed: At three feet wide by three feet deep, it's essentially a refrigerator. I can't think of many pieces of furniture that intrude three feet into a room. And since it requires three feet of space to either side of it in order to fully unfurl, would it not make more sense to simply have a dedicated nine-foot-wide unit with less depth?

I suppose the key benefit is one of flexibility. The fact that it's on wheels can sort of justify the size in that it can be wheeled, say, into a corner. (Though with something this massive, I'm not sure how often I'd be tempted to move it.) And as demonstrated in the video, in a tight space the doors could simply be opened 90 degrees rather than 180, trading some convenience for real estate.

Since I do not do the type of desktop work the WorkBox is designed for, perhaps I'm not the best judge of how effective a solution it is. For those of you that do engage in such work, how do you find the design?


Unexpected Design: Check Out How This Traditional Chinese Foot-Powered Lathe Works 

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It's incredible that over the centuries, folks on different continents devised different-but-similar solutions to the same problem. Both Europeans and Chinese developed foot-powered lathes to turn items on, for instance. But while I'd seen the Western design for a treadle lathe, I could not have imagined what the Chinese variant would look and operate like:

That's in Shawo Village in China's Hebei province, where they have been making bowls in this manner for centuries. (Sadly, they're currently down to just "six elderly grandpas in the village [that] can use the lathe" and just one younger apprentice, the guy wearing the checked shirt in the video.)

You'll note that the older gent in the video is turning the bowls in a nested fashion, known as "set turning," in order to increase the yield per log.

Now let's talk about the design of this thing! First by contrasting it with a Western treadle lathe:

Western-style treadle lathe

The Western design is intended to be powered by one leg at a time, and the treadle is wide enough that either leg can be used. Here's an example:

Western-style treadle lathe

With the Western design, when one of the operator's legs becomes fatigued, s/he switches legs. The operator could also choose to use just their dominant leg if preferred, though that would of course lead to assymetrical muscle development.

The Chinese design is interesting in that it uses both legs simultaneously. I am no ergonomic expert, but I would imagine that this is a more healthful way to operate it where the legs are concerned. At the very least, it certainly provides a balanced "workout," though it was obviously not designed as a piece of gym equipment.

Also note how the cantilevered foot-levers have informed the object's overall form factor. In order to get a greater range of motion, the foot-levers must be long, translating a short step near the pivot point to a deeper throw on the belt end. Thus the entire thing must be elevated. 

That's pure form-follows-function, but the elevation of the design has created the happy accident of making the shavings easy to sweep up.

I like how the tool rest is integrated into the design.

Am also digging how the "sharpening station" is mounted onboard, to the operator's right. You can see that the sharpening stone has a flat area for general sharpening, as well as a gouge cut into the left side for honing curved tools.

Laslty, I was very interested to see the system of staggered notches in which they mount the tool rest:

Overall, it's a very clever object, and the design is different enough from the Western variant that it seems obvious that they were developed independently.

The video, by the way, was produced by the International Wood Culture Society.

Central Saint Martins Presents Brain Waves at London Design Festival 2016

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With an acronym that sounds like a college radio station or killer Scrabble word, the new King's Cross Creative Quarter launched during London Design Festival 2016. Spearheaded by designjunction, which now calls the KXCQ home, at least one tenant has already settled in nicely. Central Saint Martins moved into the Victorian granary and former transit sheds — converted into an impressive campus — in 2011, and the orange door on Granary Square proved to be a portal to a well-curated presentation of graduates from the school's myriad design departments.

The view from Granary Square

Through the double doors is the Lethaby Gallery, where Brain Waves marks the third installment in a trilogy of exhibitions presented by CSM on the occasion of London Design Festival. Framed broadly in terms of Restless Futures (2014), the Intelligent Optimist (2015) and the current neurological moniker, these exhibitions offer different ways of conceiving of what design is and does. In short, the university looks beyond superficial styling, instead seeing design as a means of making sense of the world.

The projects in Brain Waves are organized into four categories. “Creative Forensics” includes designers who bring the scientific method to bear on the problems of today and tomorrow, where research and data provide the ballast for imaginative solutions. “Empathic Invention” describes projects that focus on communities and collective good, fostering social connection through the products, services, or even conversations. “Haptic Thinking” examines contemporary material culture, technologically enabled and otherwise, with an emphasis on tactility and embodied knowledge. And “Shifting Reality”comprises projects that challenge and reframe our perception and perspective on the world around us.

Here is a selection of the 47 projects in Brain Waves, which is on view at the Lethaby Gallery at Central Saint Martins until October 29, 2016. If you can't make it to the exhibition, all of the projects can also be viewed in the catalog, which is available online here.

Zengke Jin (BA Textile Design) - Illusory Kinetics
Srabani Ghosh (BA Ceramic Design) - Assimilation
José Maria Salgado (BA Ceramic Design) - The Ante Plate
Helga Aradottir (BA Textile Design) - Interspinning
Orla Lawn (BA Textile Design) - The Depth of Light
Giada Giachino (MA Design Jewellery) - Per Inciso
Di Peng (MA Industrial Design) - Dementia Simulator
Lucie Davis (BA Jewellery Design) - Jewellery Undercover
Elif Gengör (MA Industrial Design) - Mom Too: e-search for infantile colic
Jonathon R.C. Howard (BA Architecture) - The Contemporary Guild of the Knockers Through
Marina Mellado Mendieta (MA Industrial Design) - Neurogastronomy
Katy Shand (MA Material Futures) - Other Us: Solas


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