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Core77 Approved Mother's Day Gifts 

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All moms are different, so instead of putting them in categories for our Mother's Day Gift Guide (foodie, designer, outdoorsy, blah blah blah), here's one long list of practical Mother's Day gifts that will earn you more favorite child points than your siblings. Each gift on this list is selected from guides found on our Pick Five Ultimate Holiday Gift Guide, so you can rest assured they're both Core77 editor and community approved:

Starting the list off cozy with this plush robe outfitted with pockets and a hood.

A nice pair of earbuds to help tune you out.

Keep mom's home or office smelling nice with an ultrasonic aroma diffuser or an attractive incense burner.

Two good coffee table books—one on Utopian Architecture and the other on Walt Disney animated films.

Soap Rocks!

A fun DIY furniture project you can work on together. 

Japanese Candy Box Subscription. The gift that keeps on giving.

Alcohol with a well-designed bottle or a stylish coffee maker.

A colorful wrench set for the mom that does it all.

Cute shoes + fur = major win. You could even sign up for a workshop together.

Help your mom stay on schedule with this 24 hour cycle clock.

The Wipe Book is great for jotting down and doodling ideas.

Eleplanter adds subtle cuteness to plant collections.

An iPhone lens for all those family reunion photos/videos. A less expensive option can be found here.

Get your shopping started now before you forget and subsequently lose those favorite child points.


Hand Tool School #30: Using Rasps Efficiently for Fast Sculpted Work

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This is a look at using rasps as part of a coarse, medium, and fine system of tooling for efficient sculpting and refinement of curves in your woodworking projects. Edge tools are great and leave a finished surface and I hear from many a traditionalist that this is the only way to go. But edge tools also have a greater learning curve whereas the rasp is mostly ambivalent to the grain direction and can be employed with little to no prior experience and have the woodworker shaping away in seconds. A good rasp is an extension of your hand and can make what you picture in your head a reality very easily. This video is just a quick look at how employing several different rasps can make your work more efficient. I may go into some specific techniques later on but honestly there isn't much to using a rasp. Just point and cut. Changing the angle can produce a different cut but this subtlety needs to be learned with rasp in hand so what are you waiting for?

I also introduce Liogier rasps as an excellent provider of hand stitched rasps and an equal alternative to some of the other premium made rasps on the market. I know this name won't be new to many of you as Liogier has been around a long time. For some reason they have not gained the same notoriety here in the US as other brands. So while this video is more about using rasps, it is brought to you by Liogier and you will find some product placement sprinkled throughout.

I can definitely say that I'm a fan of Liogier and I'm eagerly awaiting two new rasps to add to my collection. In fact I predict that some Rifflers will end up in my tool kit in the future too!

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This "Hand Tool School" series is provided courtesy of Shannon Rogers, a/k/a The Renaissance Woodworker. Rogers is founder of The Hand Tool School, which provides members with an online apprenticeship that teaches them how to use hand tools and to build furniture with traditional methods.


Steven M. Johnson's Bizarre Invention #116: The Roto-Seat for Cars 

Design Job: Super Heady! Kiva Confections is Seeking a Graphic/Brand Designer in Oakland, CA

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COMPANY DESCRIPTION KIVA Confections is the leading producer of artisanal, cannabis infused confectionary products in the United States and is one of the most recognized and preferred brands in the burgeoning medical marijuana and adult use cannabis industry. JOB DESCRIPTION

View the full design job here

Mid Century Modern Find of the Week: Danish Modern Smoking Table

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This piece is a a bit of an oddity for us, since we don't tend to find a lot of these around Denmark.

It's a Danish modern smoking table/ashtray, crafted from teak with patinated brass legs.

A copper bowl rests in the center, designed to be removable for easy cleaning. The bowl is usually missing from these pieces. This one is not only present, but looks as if it was almost never used.

Overall, this piece is a great example of late 1950s "atomic" Danish design.

_________________

This post is provided courtesy of Mid Century Møbler, which specializes in importing vintage Danish Modern and authentic Mid Century furniture from the 1950s and 1960s.

A Cool Child Carrier to Cruise Around in Style with Your Baby

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Anvil was challenged to reimagine that isn't traditionally associated with beauty - a bicycle carrier for children - and inject it with a sense of visual sophistication, whimsy, and playfulness to create an unforgettable and iconic product. The result is the Shell series rear-mounted and front-mounted child carriers. Created for Bell Sports, these child carriers are an exercise in opposition. Modern, ribbon influenced lines are juxtaposed with a biomimicry-inspired Voronoi shell pattern. The articulating safety bar becomes the back legs of a stand alone chair. The Shell carriers are a breeze to install yet meets all safety regulations. The carriers find their identity in the contrast between fun and safe.

View the full content here

Container Ship Converted to Superyacht

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For the nouveau riche, nothing is worse than that sinking feeling when you realize the old guard at the yacht club doesn't really respect you. Well, eff those old-money motherjumpers and buy this classy $72 million pleasure craft so you can really rub it in their faces. This is the Vard 1-08 Kilkea, a container ship converted into a superyacht that the developers call a "pedigree-builder."

Robust and powerful, VARD 1- 08 KILKEA is bestowed with unrivalled seakeeping abilities, guaranteeing the utmost safety and comfort. 
She boasts an ice-classed hull and a commercial-inspired hull capable of taking on the most challenging conditions in total comfort. 
This remarkable expedition yacht can traverse unchartered waters for even 30 days at a time without stocking up on supplies. 
There is a proposed heli-deck and plentiful space to stow all the tenders, toys and small airplanes one could need on a round-the-world voyage.
The adventure-seeking VARD 1- 08 KILKEA superyacht also places an enormous emphasis on luxury and design. Expansive interiors and deck spaces provide ample salons, dining and relaxation areas to host a large number of guests, depending on your choice of layout up to 36 guests can be accommodated in 18 cabins.
Fly Bridge
Top Deck
Upper Deck
Main Deck
Lower Deck
Tank Deck

One downside is that the darn thing is so large you can't actually dock it at the marina, nor get close enough to the yacht club for them to see you giving them the finger from the helipad. Well, that's what Instagram is for.

Design Experience That Matters: Video of Our Design Sprint

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Last summer, with support from the Autodesk Foundation and Lenovo, we recruited a student design team to develop an alpha prototype of our Otter Newborn Warmer. Malory Johnson, Industrial Design Fellow, joined DtM from the Columbus College of Art & Design. Karan Chaitanya Mudgal, Industrial Design Fellow, joined DtM from NASA's Johnson Space Center. Kristine Chen, Mechanical Engineering Design Fellow, is a recent graduate of Stanford University. To support the team on the research end, we also recruited Kristen Moulton, Clinical Fellow, a second-year medical school student who had previously worked as a Research Coordinator for the NIH.

Video first, description afterwards:

The summer design sprint started with a couple weeks of orientation at the DtM studio in Salem. This included a review of the project context and background,the product requirements and specifications and the existing CAD models and physical design concepts. The team then hit the road for a series of expert interviews, both at local neonatal intensive care units and with local manufacturers.

The team then dove into concept brainstorming, some hand-sketching and lots of CAD modeling in Fusion 360. In July, the team moved to the new Autodesk BUILD Space in South Boston for alpha prototype fabrication and testing. The Autodesk BUILD Space team were superlative hosts.

After a series of late nights and endless hours sawing, sanding and soldering, the team finished the Otter alpha prototype. It's a huge step forward for our newborn warmer program. We're excited to continue Otter development this Fall with a student design-for-manufacture team at Olin College, and to begin field-testing the device overseas later this year.

Student design team lead Malory Johnson, who moonlights as a video producer, put together this fantastic two-minute speed-run through the summer design sprint.


Watch the Recap of Sketch Jam 2017!

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This article originally appeared on Coroflot, Core77's Design Job site. Visit their blog for more insight on working and recruiting in the creative professions. 

As you may have heard, we recently held our first ever Sketch Jam during Design Week Portland in Portland, Oregon. We think the event lived up to our expectations as being the most high-concept, highflying, and downright fun sketching competition we've ever seen. Sixteen competitors, five judges, and four rounds meant lots of seriously cool sketching happening.

Though the event has come and gone, our friends at Outlier Productions have put together this killer recap video to help us all make sure the memories of Sketch Jam will never die:

Once again, congratulations to our winner Nick Daiber who took home the Wacom Cintiq 27. You can see a full rundown of the event HERE. We're already looking forward to next year's Sketch Jam!

A Theme Park Designer Talks Next-Gen Parks, an AI Watches Bob Ross on Drugs & a Deflated Pikachu Dancer Struggles Through Performance

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The Core77 team spends time combing through the news so you don't have to. Here's a weekly roundup of our favorite finds from the World Wide Web:

Why Cosabella replaced its agency with AI and will never go back to humans.

Design unveiled for Obama Presidential Center.

Psychedelic sketching.

American schools are training kids for a world that doesn't exist.

Shiba napping while commuting.

A realistic look at the future of the theme park industry, including a theme park designer's take on Nintendo Land.

Dance party.

If Iron Man put his suit on like Sailor Moon...

Welp, this was a sticky design situation to be in.

An AI literally on digital drugs turned Bob Ross into a freaky psychedelic nightmare. This is terrifying on so many levels. 

Fun Star Wars Day build.

Speaking of Star Wars, here's a look at the series' iconic sound design

Hot Tip: Check out more blazin' hot Internet finds on our Twitter page.

The Best of Collective Design 2017

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The early May opening of Collective Design in Manhattan always feels like the official kickoff to several weeks worth of design events attached to NYCxDesign, New York's extended alternative to Milan Design Week. Often a presentation of objects demonstrating both style and concept, Collective Design brings together works of designers big and small to create an environment spilling with eye-catching furniture pieces—admittedly garish at times, some understated objects hold equal weight due to their commitment to idea and process. The show always creates a sense of wonder behind objects otherwise ordinary, and several of our selections from this year's fair are a further testament to this notion. 

Breaded Escalope's Conceptual Creations

A chair made by Breaded Escalope on-site at Collective Design
Breaded Escalope's Original Stool installation
Tools used to mix the resin for the chairs

Breaded Escalope, an arts and design collective based in Vienna, make their mark throughout several areas in the sprawling Collective Design space. In one lofted area, their "Original Stool" installation illuminates the process behind a collection of resin chairs whose creation takes a conceptual nod from the rotational molding manufacturing process. Each piece is created using a hollow sphere embedded with a silicone mold of the stool. Breaded Escalope stages the production of each chair almost as a performance, creating them in different cities while inviting residents to help roll the orb down hills or streets or throw them in rapid waters; the collective has also created a seesaw-like structure that they roll the orb down to test its efficacy.  Escalope writes that the project attempts to "capture specific times and place by permitting the environment to provide the distinguishing characteristics for each piece."

Another noteworthy project by the collective is tucked away in the Frederieke Taylor Gallery booth, a furniture piece entitled "Bar Non Lieu". A perhaps analog commentary on the condition of privacy in the present age, the piece provides a surprisingly ambient and comforting space in which to sit down with a friend and chat, perhaps even to divulge secrets. Simultaneously, the work references a modern tendency toward internalization, encouraging a type of behavior similar to walking down the street wearing noise-blocking headphones.  

Flavor Paper x UM Project: Interactive Wallpaper

Francois Chambard of UM Projects demonstrating a lighting element of the wall.

UM Project, a studio known for their playful approach to design, this year for Collective collaborates with the high-end wallpaper company Flavor Paper to create a wall installation that elevates the concept of interaction by applying it in a fun and physical way. Utilizing conductive ink technology, this graphic modular wallpaper also works as a means of generating electricity throughout objects in the installation. With the touch of a few copper buttons, you can generate a fan, turn on lights and even flip open a mirror to check your makeup. A number of practical ideas come to mind when you interact with the wacky installations on the wall, and UM Project Francois Chambard assured us that anyone interested in installing this on their own wall can work with Flavor Paper to customize the modular system however they'd like. 

Bright & Scandalous Ceramics

Vases by Glenn Barkley
Girl Lamps and Mirrors by Katie Stout

As ceramics reach a higher status than they once had in the design world, a variety of fun and hilarious applications to the medium ensue. Note, for one, hand built and excruciatingly detailed vases by artist Glenn Barkley at the Mindy Solomon Gallery booth (one standing out for its distinct Flamin' Hot Cheeto-hued detailing).

By the looks of it at Collective, ceramic works of imperfect and child-like proportions are not only accepted but also widely coveted. Artist Katie Stout's "Girl Lamps" acknowledge this acceptance of elementary design tactics with a, well, unrestrained twist.

Reinterpretations of Glass

Lamps, mirrors and tables by Fernando Mastrangelo Studio 

Glass is another material breaking new ground in the hands of different designers at Collective. Several projects throughout the space took the material so far it presents itself as something totally different—for example, the work Fernando Mastrangelo Studio includes a collection of furniture pieces using compounds of resin and glass that resemble salt rock or even styrofoam. 

At the Storefront for Art & Architecture booth, one glass object for sale stood out for its ingenious attention to detail and a convincing trompe l'eoil effect. Designer Murray Moss worked with the iconic glass manufacturer Lobmeyr to create these "broken" tumblers, utilizing glass engraving to mimic the look of a shattered glass.

Other exhibits worth mentioning? Othr's collection of 3d printed objects made in collaboration with designers like Chen Chen & Kai and Ania Jaworska, an exhibition of Italian glass dating from 1870-1970, and a vase with the likeness of Ruth Bader Ginsberg. Check out more from the show below: 

Work of cute proportions by the Haas Brothers for R & Company
RBG porcelain vase by Ruberto Lugo
A collection of luxury Italian glass at the "Glass Past" booth
 
Chen Chen & Kai for OTHR, made from 3d printed porcelain and metal
A table made of matches and bird body lamp, for the eccentric soul (on display at the Cristina Grajales Gallery booth)
 

Overwhelmed by all there is to see during NY Design Week? Our NYCxDesign Map can help.

Prototyping a Storage System, Building a Water-Powered Hammer, Creating a Traditional Tool Chest & More

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Building a Water-Powered Hammer With No Tools

This is incredible: Primitive Technology builds a water-powered hammer using nothing more than a freaking stone and some fire. Watch the ingenious way he manages to bore nearly perfectly round holes into a log using little effort:

Splicing Two Drills Together

Matthias Wandel creates a "Ryokita" drill by adapting an old Makita cordless to run on a new Ryobi battery:

Making a Simple Remote Switch

If you've ever wanted a more convenient way to turn a tool on or off, Matthias shows you how to hack something together:

How to Make a Kitchen Cabinet Door on the Table Saw

Izzy Swan shows you how to make a floating panel, rail-and-stile cabinet door—typically done on the router table—using only a table saw:

French Cleat Storage Wall

Frank Howarth prototypes a few different wall-hanging storage boxes, making slight design improvements each time:

Adding an End Vise to Your Workbench

Jay Bates shows you how to convert a regular vise to a full-width vise for your workbench:

How to Build a Leaning Wall Shelf

April Wilkerson starts building storage furniture for her new home, starting with this ladder shelf unit:

Building a Traditional Tool Chest…

The Samurai Carpenter continues his bro-mance with blacksmith Alec Steele, building a traditional tool chest using the chisel Steele crafted:

…and Unboxing It:


Mobile Woodshop Design Updates, How to Build a Modular Bed with Storage, a DIY Plastics Shredder & More

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How to Make a Lightsaber

For Star Wars day, Bob Clagett fulfills a longtime goal and figures out how to build a lightsaber with convincing sound and illumination. Along the way he has to overcome multiple setbacks, but he pulls it off:

Update on the Design of the Mobile Woodshop

Ron Paulk is eager to "start making sawdust," to get to work on his new mobile woodshop. "But the design is king and must come first," he says, and here he pushes himself to make some crucial last-minute design changes, going over them in CAD:

How To Build a Queen Size Modular Bed

Linn from Darbin Orvar shows how to make a queen-size bed with integrated storage, and which is built in modules thatmake it easy to transport:

Small Tall Freakbike

Laura Kampf builds a crazy tall bike by splicing small- and regular-sized bike frames together:

DIY Steel I-Beam Table

In an effort to push out of his comfort zone, Ben Uyeda makes a table out of a steel I-beam—using nothing more than a $45 angle grinder:

Pentagon Pencil Cup in Walnut and Aluminum

Ben Brandt makes a nifty pentagonal pencil holder, using a simple method that doesn't require doing a lot of math:

Building a Plastics Shredder Out of Wood, Part 1

Jeremy Fielding has been recycling his own plastic, melting it down and re-forming it to use as raw material. Now he wants to build his own shredder to make the process easier. Here he's starting with Dave Hakkens' DIY shredder design, and seeing if he can make it without needing to weld, and at a very low cost:

Making 70 Hammers! Part 1

Here blacksmith Alec Steele uses a forge and a power hammer to turn billets into mallet heads:

(If you want to see the rest of the series, click here.)

Classic Toolbox

In this Rockler-sponsored vid, Jimmy DiResta builds a classic tool chest using traditional techniques but some fancy hinge hardware:


Design Job: Stop, Collaborate and Listen! Atlassian is Seeking a Senior Product Designer in Mountain View, CA

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Atlassian and Confluence have landed in Mountain View! Join our brand new, fast-growing office in Mountain View as a product designer of one of our flagship products, Confluence. Confluence is used by more than half of Fortune 100 companies to connect people with content and co-workers they

View the full design job here

Thingamejig Scriber

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Scribing is the act of marking material that has to be removed from a counter or piece of trim so it fits tight to a wall or cabinet. Carpenters typically perform this operation with scribes, an adjustable marking tool similar to  the compass used by a geometry students. Most carpentry scribes have a sharp point on one end and a pencil, lead, or second sharp point on the other.

The goal of scribing is to create a cut line perfectly parallel to the surface the trim is being fit to. With conventional scribes this is done by moving the scribes along the wall with the point against the wall and the pencil on the component that is to be cut. 

The Thingamejig does the same thing as scribes but in a slightly different manner. It has a three-winged head with replaceable carbide cutters screwed onto each. The distance between the foot—which rides against the wall or surface being scribed to—and the cutters is adjusted by turning a threaded shaft. After dialing in the desired setting the craftsperson secures the shaft with a lock nut.

Scribing baseboard to the floor means creating a cut line that is perfectly parallel to the floor.

This device allows you to create an extremely fine cut line and/or score the surface to reduce splintering when you cut. Unlike a pencil point (which is soft and subject to wear) or the scribing point on a set of scribes, the carbide cutters are sharp enough to leave a fine line and cut slightly into (score) the surface of the piece that's to be cut. The ability to score comes in handy when scribing across the grain in veneer plywood. 

A removable plastic cap can be snapped over the foot to prevent it from marring delicate surfaces.

The triangular blades can be rotated to expose a fresh tip and replaced when all are dull. Being carbide, they should last a very long time.

Scribing a laminate counter top to the wall.

The Thingamejig works best when used to scribe to straight, smooth, or flowing surfaces such as fitting countertops cabinet fillers and trim to ceilings walls and floors. It's not an all-purpose scriber and won't scribe around moldings and irregular surfaces such as stone. Fortunately, there are plenty of other scribing tools that can do those things.



"Bendsketch" Software Turns a 2D Sketch into a 3D Model

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At design school we're taught to sketch 3D objects on 2D paper, using contour lines to convey three dimensionality to the viewer. But what if those contour lines, rather than serving as visual suggestions, actually served as instructions to a modeling program? In what has to be the most minimalist form of input we've ever seen, a group of researchers has actually worked that out.

A collaboration between the University of Hong Kong, Microsoft Research Asia and the University of British Columbia has yielded "BendSketch: Modeling Freeform Surfaces Through 2D Sketching," a paper presented at this year's SIGGRAPH. Here's how it works:

To model a desired surface patch with our technique, the user sketches the patch boundary as well as a small number of strokes representing the major bending directions of the shape. Our method uses this input to generate a curvature field that conforms to the user strokes and then uses this field to derive a freeform surface with the desired curvature pattern. To infer the surface from the strokes we first disambiguate the convex versus concave bending directions indicated by the strokes and estimate the surface bending magnitude along the strokes. We subsequently construct a curvature field based on these estimates, using a non-orthogonal 4-direction field coupled with a scalar magnitude field, and finally construct a surface whose curvature pattern reflects this field through an iterative sequence of simple linear optimizations.

Anyone smell a bidding war between the major software companies?


A Compact Bed Frame that Can Adjust Even After Assembly

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The Presto Frame meets all the requirements for today's online mattress buyer. The bed frame comes in a box that is less than four feet long. It features just five parts—two side rails and three cross rails—that weigh less than 60 pounds and snap together without tools. It adjusts from full to queen to California king to king size.

View the full content here

Frork You, McDonald's

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I know it's a joke and I don't care. The McDonald's "Frork" promotion can go frork itself and take the entirety of global mega meta "humor" and internet-baiting product design with it. The Frork, for those underprivileged consumers without ready access to a particularly jokey Micky D's franchise, is a rubber fork with fries for tines. That's it. That's literally it. 

Its supposed purpose is to help you swipe up sandwich detritus more neatly, ignoring the greasy fact of having to squish greasy fries into the rubbery handle, which will soon also be greasy once you chew through your first tines and have to repeat the greasy process. It invents a need, delivers on the need poorly, and requires shifted user behavior for no reason. 

Shoutout to all the lazy-hip logo designers of the last 8 years. Time to retire the -X- for good.

I know it's a joke and I don't care because for fuck's sake if you need schtick and gimmick to get people pumped about adding "crafted" "food" to the standard garbage menu of the largest food chain on the planet maybe there are other problems afoot. 

The design of this thing supposes that it makes more sense to use your hands to cram greasy things into tight places to create a tool than to use the same greasy things as the tool they already are. OBESITY AND STARVATION AND FULL LANDFILLS ARE REAL ISSUES EXACERBATED BY YOUR GOD AWFUL COMPANY AND THIS IS HOW YOU USE YOUR DESIGN AND MARKETING TEAMS? I hate this thing like it kicked my dog, and got it greasy. 

As food gimmicks go, this feels like an April Fool's leftover that they should have just saved for next year. Why are you marketing your processed version of gourmet food with an As-Seen-On-TV style ad? WHY? I'll concede that a five year old would probably enjoy using this, and for that I'd rank it just below the impossible to clean color-changing curly straws I got in my cereal box before I was ready for Chex Quest. Are you happy, soulless McDesigner? I'm not. Now stop it forever.

Core77's Condensed Guide to NYCxDesign 2017

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NYCxDesign 2017 has just kicked off, and we're already overwhelmed by the exciting exhibitions, parties, presentations, trade shows, workshops and conferences to attend. We're guessing those of you attending NY Design week month are in the same boat, so we've put together a condensed guide of experiences to hone in on during NYCxDesign:

Friedman Benda's dna10

Alufoil (Shell Chair) by Christopher Schanck, 2016. Resin, aluminum, polystyrene.

Friedman Benda's 10th anniversary exhibition, dna10, is a process-focused reflection on contemporary design. The exhibit is made up of work from 21 diverse designers and their studios, including but not limited to Paul Cocksedge, Christopher Schanck and Faye Toogood. Accompanying the pieces are drawings, sketches, videos and models, giving insight into the processes used by each designer.

Friedman Benda at 515 W 26th Street. May 4-June 10.

A Brush with Design

Chen Chen & Kai Williams for A Brush with Design

Good Thing and Harry's will be debuting a collection of fabulously funky shaving brushes at WantedDesign Manhattan. A Brush with Design will feature a curation of shaving brushes designed by 13 designers, including Chen Chen & Kai Williams, Branch Creative and Earnest Studio.

WantedDesign Manhattan, The Tunnel at 269 11th Avenue between, 27 & 28th St. May 17-23.

Also be sure to check out WantedDesign Brooklyn.

Events at MoMA

MoMA's Associate Creative Director Ingrid Chou and Art Director Derek Flynn will explore the relationship between physical space and design during Design at MoMA, a behind-the-scenes look into designing exhibits for one of the most prominent art museums.

MoMA at 11 W 53rd Street. May 10.

Also at MoMA during NY Design Week is ICFF's Opening Night Party on May 16. Mingle with designers over an open bar in MoMA's Abby Aldrich Rockefeller Sculpture Garden at this great networking opportunity.

Common Sense Festival

Kill it Eat it by Bompas & Parr

A/D/O is kicking off their second season with Common Sense Festival, a festival focused on texture and scent, sound and vision. Speakers at the conference, including Harry Parr of Bompas & Parr, Jay Osgerby of Barber & Osgerby and scent critic Chandler Burr, are all known for their exploration of the senses.

A/D/O at 29 Norman Avenue. May 13.  

Student Work at ICFF

A concrete and laminate chair by Wilsonart and the College of Creative studies at ICFF 2016

This year, students are able to exhibit at ICFF for free, meaning we can expect to see even more boundary pushing student designs from the likes of RISD, Pratt Institute, FIT, University of Oregon, Art Center College of Design, Drexel University Product Design and more. You could probably spend an entire day looking at student work alone!

ICFF, Javits Center at 655 W 34th Street. May 21-24.

The Salvage Lab

The Salvage Lab, a new space in Chinatown, is hosting its first exhibition in conjunction with it's launch during NYCxDesign 2017. End Up will present one-off pieces created by up-and-coming designers using salvaged materials. From foam to porcelain, you can expect to see the unexpected here.

The Salvage Lab, Castle FitzJohns at 98 Orchard Street. May 18.

Ultraframe

UM Project's solo exhibition Ultraframe is all about contradictions. Presented by Colony Consult and in collaboration with FEBRIK, the collection of otherworldly armoires, cabinets and credenzas touches on the contrasts of hard vs. soft, internal vs. external and 2D vs. 3D. If this is exhibit is as exciting as what we saw from UM Project's contribution to this year's Collective Design, we're in for a treat.

XOCO at 325 W Broadway. May 11-25.

Wanted Career Day

Whether you're secretly or not-so-secretly on the hunt for a new job in the design industry, Coroflot and Wanted Design have your back with Wanted Career Day. A meeting ground for recruiters and young designers, Wanted Career Day is meant to get the ball rolling for your next career move. Recruiters and job-seekers are both welcome to attend.

Industry City at 274 36th Street. May 17.

Site Unseen Offsite

Resin and glass furniture by Elyse Graham

This year, Sight Unseen Offsite is scaling back to feature just 25 exhibitors. The tightly curated exhibition will feature work carefully selected from independent designers/studios, including Elyse Graham who focuses on material and form exploration and experimentation in her new collection of resin focused vessels and furniture.

DartxDesign frog Open Studio Party

For NYCxDesign, frog asked the NY design community to design dartboards to benefit homeless youth. The best part? The prompt had no rules. Join frog for a exhibition of the dartboards, a silent auction, party, and peek into their new Brooklyn studio.

frog Design at 55 Prospect Street.

Craving more NY Design Week events? Our NYCxDesign Map has you covered.

How to Design Snap Fit Components

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Designing components with snap fits can save you time and money in production by reducing material costs and part quantities as well as improving ease of assembly.

While in the past injection molding has been the only viable method for producing snap fit joints in plastics, 3D printing opens up new opportunities and challenges in their design.

And there are most certainly challenges! To help you navigate the complex world of snap fits we're going to take a look at the key features, calculations and tips to overcome common issues for designing and prototyping these features.

Designing Your Snap Fit Joint

Note: Metric units are used for all calculations

All joints have similar features and function. In its simplest form, a snap fit is a small protrusion (hook, bead, or bump) which is deflected during assembly to catch in a depression on the mating part. The shapes of the male and female parts then determine whether the joint can be separated and the force required to do so.

For the purpose of this article, we're going to focus on the simple cantilever style joint. Entire books have been written (like here and here) about different snap joint design, but the cantilever style (and its variations) is both the easiest to design and the one you're most likely to encounter.

As you can see in the diagrams above, the cantilever joint is modeled by a fixed-free beam with a point-applied end load.

The worst case stress and strain is found at the root of the cantilever and can be easily approximated using classical beam bending theory.

As the exact forces are not yet known when designing a model, it's most common to use deflection and strain rather than force and stress values to set your dimensions. In other words, your dimensions will be limited by maximum strain during deflection rather than force required to assemble/disassemble (mating force).

Relevant formulas for finding strain and mating force values. (image source)

Classical beam bending theory assumes the fixed end wall is rigid. However, the part walls are likely to be of similar thickness to the cantilever itself; Q is the deflection magnification factor added to account for this.

As the rigid wall is the worst case for strain in the root, for a simple casing, leave Q as 1.

Also note that the return angle affects the ease of joint separation. A return angle the same as the leading angle means the same force is used during assembly and disassembly. In contrast, a return angle of 90° can never be disassembled, except by using an external window to release the snap.

Implementing the Calculations

Now that we know which calculation values are needed when designing a cantilever joint, let's look at how to find those values.

There are two ways you can approach these calculations:

1. Material first: You have chosen your material, found its allowable strain and can design your dimensions to fit it.

2. Dimensions first: Your primary dimensions are fixed and you can choose a material to fit.

Finding Acceptable Strain Limits

To find acceptable strain limits, use the yield stress and modulus of elasticity of the material with the following formula:

? = s/E

where ? = modulus of elasticity [MPa], s = stress [MPa] and E = strain [%]

So strain = stress / modulus of elasticity = change in length / initial length [%]

Pro Tip: 3D printed parts will have stress varying by axis, so for optimum strength, make sure the cantilever part of the joint is built along the X-Y plane and not traveling up the Z axis. If your cantilever can only be created in the Z axis, be aware elongation at break is reduced by 50% and tensile strength by 20-30%. We recommend reducing the allowable stress/strain by 50% for Z axis cantilevers. Ask Fictiv when uploading parts if you have questions here.

Here are the acceptable strain values for some common 3D printing materials:

And here are some calculated strain rates for different wall thicknesses, deflections, and cantilever lengths to help you get started.

Changing Your Cross Section

If you've calculated your dimensions, chosen your material, and the acceptable strain rate is still too high, the best solution is to change the cantilever cross section. The most common changes include tapering the width or thickness.

Reduction in the cross section width or thickness and the increase in cantilever length results in significant strain rate reduction

4 Common Problems + Solutions in Designing Snap Fits

Here are some solutions to other common challenges engineers face when designing for snap fit components.

1. Creep/Stress Relaxation

Thermoplastics are particularly susceptible to creep – the gradual, permanent deformation of the material under stress. Over time this can compromise the connection between the male and female parts, or even render it useless.

Solution: Make sure your male and female parts are designed in such a way that while deflection may happen during assembly, during normal, assembled use the parts are not subject to prolonged bending or tensile stress.

2. Stress Concentrators

Sharp corners concentrate stress at the root of the cantilever, causing it to shear off.

Solution: Make sure there are no sharp corners to act as stress concentrators, especially on the tensile side of the cantilever. Use radi or chamfers to reduce this.

3. Fatigue or Repetitive Loading Failure

Repeated assembling and disassembling of snap joints can cause failure at stresses much lower than the rated stress of your material. Fatigue failure typically happens at high loading frequencies (hundreds if not thousands of cycles).

Solution: If you anticipate high cycle frequencies for your component, careful selection of a fatigue-resistant material using S-N curves is essential.

4. Tolerances

The tolerances are wrong and your parts won't fit together.

Solution: Rule of thumb for gaps:

0.2 mm for tight fits
0.4mm for slide fits and pivot joints
0.3mm for a close fit snap joint

Main Takeaways

We've only scratched the surface here and if you want more in-depth information, check out some of the resources below.

Designing for snap fits is a complex and iterative process, but if you follow the simple engineering best practices covered in this article, you can improve the initial function of your snap fit joints and decrease your prototyping life cycles.

Further Reading

For a more in-depth analysis of snap fit design and to dive deeper into the material properties, check out these guides below.

1. BASF Snap Fit Design Manual

1. Bayer Material Science Snap Fit Joints for Plastics

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