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Wheeled Vehicles from the Bay Area Maker Faire, Upsetting Street Design Mistakes and Remembering When "Special Effects" Were a Builder's Job

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The Core77 team spends time combing through the news so you don't have to. Here's a weekly roundup of our favorite finds from the World Wide Web:

25 wheeled vehicles from the recent Bay Area Makers Faire.

A fun DIY project for the weekend. BigFaceBox lets you gigantify your head.

Another "fun" DIY: Fidget Spinner nail art. Impress your kids.

They had a 50% chance of putting the hatch back in the right position...

Bloomberg looks into why it took 7 years to create the transparent bottoms on Nike's new Vapormax shoes.

Why are Donut Boxes Pink?

When "special effects" was the job of a builder.

A blow to patent trolls.

A cultured and illustrious reference point for our own weekly (more hot-doggy) link round-up, Arts & Letters Daily should be a regular stop for you too. Today we’ll do a bit of “value-add” and line up these three recent links for you; a triptych of cultural insight: our consumerist origins, dressed-down present and a fixation on the future.

Speculative Needs XOXO - conceptual exhibit by Lebanese design students during Lebanon Design Week.

Making light bulbs the old-fashioned way.

Hot Tip: Check out more blazin' hot Internet finds on our Twitter page.


How to Make a Knife Show Display, an Outdoor Storage Bench, the "Don't Drive Yourself Crazy" Approach to DIY & More

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Knife Show Display

Jimmy DiResta uses everything from forging techniques to a CNC plasma cutter to create a knife display system for a client:

Tall Bookcase, Clever Jigs

Matthias Wandel builds a tall bookcase out of scraps, coming up with a variety of clever jigs and techniques along the way. In particular, watch how he makes his own wood tap using an angle grinder:

Wood Turned Thin Walled Maple Bowl

Frank Howarth pushes his skills to the limit with this exercise, patiently trying to figure out how to solve problems that crop up as he goes:

The "Plan, But Don't Drive Yourself Crazy" Approach to DIY

From design to execution, Steve Ramsey shows you how he typically tackles your average DIY project:

Carving A Totem Pole

Here's a look at an interesting craft many of us don't get to see. The Samurai Carpenter visits Tom Lafortune, a carver of traditional totem poles and masks:

Outdoor Storage Bench

Bob Clagett bangs out a simple, sturdy outdoor storage bench:


A Bare Bones Kit for Getting Started with Hand Tools, Building a Swedish Torch Camp Stove, Outdoor Furniture & More

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The Beginning Hand Tool Kit

Thinking of getting into hand tools? Here Shannon Rogers, founder of The Hand Tool School, shows you the beginning hand tool kit:

Backyard Gazebo for $500 w/ Limited Tools

Linn from Darbin Orvar tackles another large-scale project, this time constructing a gazebo on her father-in-law's property, using just a jigsaw and a hammer:

DIY Swedish Torch and Camp Stove

Ben Uyeda does something a bit different this week, creating a "Swedish torch"-style camping stove:

HomeMade Modern Loft Tour: The Bathroom

Not a build video, but this tour of Ben Uyeda's bathroom is cool because we get to see how many of the projects he's built have actually become integrated into his life:

Making Cedar Lawn Chairs

In this sponsored post, John Heisz builds outdoor furniture using DeWalts's Flexvolt line of tools:

Harbor Freight Belt Sander to Shop Vac Dust Port Adapter

Ben Brandt shows off a killer app for people who have shops and own 3D printers: Being able to make virtually any kind of dust port you need. With your own 3D printer, compatibility is no longer an issue.


Design Job: Go Down in History! Natural History Museum of Los Angeles County is Seeking a Junior Designer in Los Angeles, CA

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The Family of Natural History Museums of Los Angeles is leveraging insights from the science of the past to imagine a brighter future. To deliver this, we are building a design and digital organization that brings a visitor-centered approach across all our three campuses (Exposition Park/Downtown LA, La Brea

View the full design job here

Attention White, Western, Male Discursive Designers

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The closing of the exhibition, Climactic: Post-Normal Design late last year, marked an important step forward for discursive design. The curatorial team of Ahmed Ansari, Deepa Butoliya, and Katherine Moline created the most intentionally global representation of discursive work to date. Designers from Brazil, Japan, US, Britain, Australia, Mexico, India, China, Kenya, Pakistan, The Netherlands, and Denmark presented work beneath the rubrics of Climactic Change, Speculative Anything, and the Anthropocene. The curators' goal was to "engage audiences in thinking about the precarity of the age we currently live in, a precarity not in some small part due to the contemporary practices of design."

Climactic: Post-Normal Design is actually the fourth iteration of a series of exhibitions and symposia that Katherine Moline initiated in 2014 as part of the project, Feral Experimental: New Design Thinking, at the University of New Wales in Sydney. Through her connections with Carnegie Mellon's former Director of Design Studies (Cameron Tonkinwise), CMU's PhD students in Transition Design were able to help curate the show as well as its accompanying workshops and discussions with emphasis on the crucial problems of our times—e.g., extreme weather, forced migration, and certain implications of neoliberal politics.

Mangala for All (Ongoing) by Superflux (Anab Jain and Jon Ardern)
"Mangala for All explores India's space ambitions within the context of global (meta)geopolitics and the commercial space industry. Mangalyaan, or the Mars Orbiter Mission (MOM) is an Indian spacecraft orbiting Mars since 24 September 2014. To coincide with the launch of Mangalyaan, or the Mars Orbiter Mission (MOM), Superflux launched Mangala For All, a reflexive ethnographic performance in the streets of Ahmedabad, India, where they offered participants a Mangalyaan Miniature in exchange for insights into what Mangalyaan and the Indian Space Program means to the people of Ahmedabad. Stories of jugaad, scientific innovation, resourcefulness and creativity in Mangalyaan's success were entangled with assumptions about its impact on people's hopes and aspirations, as well as the subtexts of nationhood, geopolitics and the space race. Superflux asked whether Mangalyaan was an act of nation building, or a symbol of progress and development? Was it the Indian elite's delusional quest for superpower status, as economist-activist Jean Dreze has commented, or a way 'to dislodge the perception of India as a developing nation, by showcasing spectacular technology'?"

But most importantly, they challenge the glaring under-representation of non-western design voices and the global citizenry that is subject to the consequences of the dominant neo-colonial powers (think where all the e-waste goes, for example). The exhibition unabashedly implicates business as usual, regarding the West's producers (and implicitly, the consumers)—"Often structured uncritically around the logics of coloniality at the foundations of the modern world-system, the design disciplines exist to uphold hierarchical structures that maintain the status quo of racist, sexist and class distinctions."

While their brash stance may seem somewhat unsettling, that is exactly the point. Reflecting the tenets of Transition Design, the curators come from a philosophical place where human and environmental justice demands immediate action–tough times demand a tough approach. If you think their message is not for you–and it does not resonate, then it probably is, and should.

What makes Climactic so weighty is not just the exhibition itself, but the surrounding range of activities—the gallery talk, workshops, catalogue, and panel discussions. This is the true spirit of discursive design, where designers/curators are interested in stimulating and actively participating in broader discourse. Too often designers claim to care about their topics that their designed artifacts carry, but they do little beyond posting images on their websites and hoping for some media attention. Frankly, this is lame. If discursive design is fundamentally about communicating ideas and stimulating intellectual awareness, then active strategies of dissemination should be considered as part of the proposition. The Climactic team accomplished this, bringing forward issues that barely see the Western light of day.

Night School on Anarres: Imaginings of an Anarchist Utopia (2016)
Onkar Kular and Noam Toran with Nestor Pestana

"Night School on Anarres was a temporary school examining utopian proposals of twentieth-century anarchism. Drawing from Ursula K Le Guin's seminal sci-fi novel The Dispossessed, and focusing on her construction of the fictional anarchist planet Anarres and its language Pravic, children and members of the public were invited to participate in language and social studies classes. Part sci-fi set, part classroom, part roundhouse theatre, the Night School on Anarres installation was a site where utopic ambitions could be collectively imagined, performed and discussed. Through novel pedagogic approaches, the installation invited participants to learn about the planet's language, customs and behaviours. In so doing, the project encouraged visitors to reflect upon current socio-political models with the hope of collectively imagining alternatives."

When you think of discursive design, you likely conjure up the RCA and the topics, aesthetics, and approaches that are presented and valorized in the media. But it is a big world with other voices that have a tougher time being heard. It is naïve and unfair to just assume that everyone is free to speak—the reality is that existing systems and politics make such equality of access and acceptance a true design fiction. How does a Pakistani perspective, for example, get communicated to the world when dominant design agendas, aesthetic canons, and access to gatekeepers create road blocks—unintended or otherwise? The Climactic exhibition gets other voices and actors on stage—and we from the privileged West and/or Global North, should lend an ear.

If we dare to do more than passively listen however, we should also be actively encouraging and engaging with such broader viewpoints. Discursive designers are understood to have assumed particular roles as social critics, provocateurs, and visionaries with a broader, valuable perspective than what mainstream culture offers up. Discursive designers claim to see the bigger picture and to champion alternatives through questioning, for example, emerging technologies, established cultural institutions, and status quo politics. But what about envisioning and provoking beyond the vantage of the West, and helping to support a more global community of discursive design practice (or just a broader community in general)?

Easier said than done, of course. But it seems somewhat hypocritical for discursive designers to remain on the sidelines once aware of the game, or the rigging of the game. Certainly, designers have a broad range of discourses to work with, and they generally choose the ones they most care about. But perhaps they/we should be caring more broadly. Perhaps the discourses about our own more local communities should open up and acknowledge more global realities—like neo-colonialism, for example.

Rather than merely commenting about how augmented reality devices might disrupt our existing social norms, might we also think through the other possible—more global—disruptions, like whose natural resources get strip mined and who lives with the pollutants after the West has had their way with them? Perhaps Western discursive designers might set aside the discourses they are naturally most interested in, or those that are closest to them, and consider what other discourses their Western audiences could or should be exposed to. If discursive designers indeed see above and beyond that status quo, then why not call into question a more global status quo?

Design in Times of Crisis (2014-2016) Luiza Prado & Pedro Oliveira
"The project Oniria examines how a few extremely conservative, anti-birth control bills that have gained traction in the Brazilian House of Representatives could affect what kinds of contraceptive technologies are accessible to Brazilian citizens, and the project considers the impacts that these bills may generate. With the initial premise that if the laws were passed by government, other kinds of contraceptives that comply with these laws would be developed and released. Prado and Oliveira question what kinds of contraceptive strategies will be implemented in such a strict and conservative scenario, and how will people respond to this. A written narrative describing the scenario of anti-birth control bills, and the promotion of a product, Oniria, was developed. This product was accompanied by a marketing strategy that encouraged make-up trends as marks of gender and sexual identities."

This, too, may be easier said than done (well). A common and apropos criticism of discursive designers is that too often they do not know enough about the discourses they present. They are seemingly naïve and not fully aware of the complexities and competing perspectives at play. What we are suggesting is a broader awareness and understanding, which takes work to achieve—these are ideas and issues that are not usually present in the design studio. Designers need to engage more deeply with other domains of knowledge, taking more of a critical studies approach to their topics.

This is complex stuff that unfortunately lies beyond traditional design education. So for the time being designers need to work more diligently to unpack these topics. What we tell our students is that if they cannot effectively argue against the ideas that their work espouses or that they wish to espouse, then they need to go back to the books or engage with experts.

If discursive design is fundamentally about communicating discourse, then rather than spending all those hours sanding, painting, and priming models, might that time be better spent in the library or consulting with professors or knowledgeable others? Might designers be more discriminating about residual commercial design expectations that do not best contribute to discursive design's ultimate goals? What is the minimum viable discursive design object that can carry the weight of the discourse?

Discursive design may be nearing a tipping point, at least that is Climactic's hope. The curators have done the hard work of identifying a broader range of designers and voices, and the discursive design community should take note. And as for us, we intend on highlighting more of this work throughout the year to help support the Climactic aims of shifting "design debate from thinking about progressive design objects to reflecting critically on the design processes that exclude most of the world's population from the debate."

If you know of under-represented discursive design (speculative design, critical design, design fiction, etc.) work for possible publication on Core77, please contact us or leave a comment below.

Download the Climactic exhibition catalog here.

The (Matchbox) Auto Design & Production Process, Circa 1965

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This is both fascinating and fun to watch. Here we get a look inside an automotive design and production facility in 1960s Britain--though the cars they're producing are Matchbox cars. It's cool to see how they prototype them at 5x scale in wood, then use the prototypes to cut a scaled-down mold using a pantograph. The spraypainting step is also pretty neat:


Memorial Day Tips for Designers

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While it's important to recognize the true meaning of Memorial Day, it's also good to realize a day off on the last weekend in May makes for a great moment to spend time with people you love and just relax

As we've been prepping for the long weekend, we couldn't help but think to ourselves: how can designers and engineers do Memorial Day different from the rest? Well, with this list we've got a few fun ideas:

Level up your burger with laser cut cheese

Cutting your cheeseburger topping with a laser cutter makes for a great visual addition and a bonus smoky accent to the overall tasting experience! (Caution: video contains dubstep—you have officially been warned).

Source: TaterZoid

DIY your own frisbee launcher

This tool thought up by La Fabrique might come in handy if you're on grill duty but you also need to entertain your dog (or simply dinner guests who enjoy running long distances for frisbees!)

Spiral-cut dogs

BBQ Hack! Some say the best way to cook a dog is by spiral cutting it—gives you more flavor and an even, crispy char. Bonus perk: you can also tell your guests they're eating designer hot dogs.

Source: Chowhound

Make your own stove

Ever heard of a Swedish Fire Torch? Well, it only takes one log and a chainsaw to make and is a surefire way to impress guests:

Source: iCreatables

Camp in the air

We highly recommend you bouj up your Memorial Day camping trip with one of these tree tents. Sure, they're wildly expensive, but can you really put a price tag on a genuinely good time (It's okay if you don't have one, we're just going to live vicariously through this video too)?

Build a DIY treehouse elevator

Let's say you're spending the weekend in the yard building with your kids and they want to start on a treehouse for the summer. If you happen to be in this very specific and hypothetical situation, boy do we have a video for you:

Drinking buddy

And if you're celebrating Memorial Day alone, well, you could always build one of these guys to keep you company:

Source: Eunchan Park

(Title image: Fresh Off the Grid)

Sponsored Post:Case Study: LucidCam Stereoscopic 3D 180 Degree Camera

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The Lucid VR team created an easy-to-use stereoscopic 3D 180° camera for the consumer market. Model Solution’s design and manufacturing teams took the original design and specified LEDs, switches, materials, finishes and more to keep costs down and still meet the application’s demanding requirements. Model Solution built three initial mock-ups and initial full appearance models in less than 12 days. These models featured functional LEDs and switches, allowing Lucid VR engineers to see and feel h

View the full content here

Design Job: Soak it Up! Jacuzzi Group Worldwide is Seeking a Digital Modeler/Alias Modeler in Chino Hills, CA

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The Digital Modeler conceptualizes from sketches interacting directly with Industrial Designers to translate vision into reality. Keeping and further defining character lines and major surface brand themes established by the ID team is essential. A thorough understanding of generating highly organic surfaces in terms of knowing what is behind the

View the full design job here

Ancient Crafts: The Stone Inlays of the Taj Mahal

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Anyone who has ever visited the Taj Mahal in Agra, India, would probably agree that it is one of the most fascinating buildings that he or she has ever been in the presence of. Even in pictures, one can sense the almost magical aura of this massive marble memorial, which appears as though it is floating. If it has a breathtaking effect from afar, it becomes truly mind-blowing when having a closer look—when one can see that all the delicate patterns that cover the huge marble blocks are actually stone inlays.

View the full content here

Hanzi: New Design Documentary on Chinese Typography

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Muris is the creative studio behind Design & Thinking and Maker, documentaries about design thinking and the maker movement. Now they've got a third project in their sites, this one targeting an underappreciated are of graphic design: Hanzi, "a documentary exploring international design, visual culture and identity through the lens of modern Chinese typography."

Consider that a designer creating a new font in Roman letters might have to deal with several hundred characters. But designing a font in Hanzi (Chinese characters) requires dealing with over 10,000 of them. It's a Herculean task, and almost criminally underexamined.

Despite the doc's focus, "[it's] not just about Chinese characters," Muris writes:

We wanted to keep the ideas and messages applicable to all languages and cultures. Exploring universal subjects such as "How does language shape identity? What role does handwriting play in the digital age?", Hanzi encourages audiences around the world to revisit and rethink their own culture, language and identity.

Having successfully funded both Design & Thinking and Maker on Kickstarter, Muris is coming around for a third pass with Hanzi. The film is already in the can, as they say, with shooting wrapped in New York, Hong Kong, London and Taipei. What's needed next is funding for distribution and marketing, to the tune of $10,000. At press time they were 87% of the way there, with 31 days left to pledge. If you'd like to help, the campaign is here.


Reader Submitted: Minimalist Outdoor Gym Equiptment Inspired by Mountains

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Kebne is a minimalistic outdoor gym that forms an abstract mountain scenery inspired by Sweden's highest mountain. The gym is a welcoming and including product family that positions itself somewhere between public furniture, sculpture and landscape architecture.

Kebne
Kebne - Close up in anthracite grey
Credit: Kauppi & Kauppi
Kebne
Kebne outdoor gym in bright Yellow
Credit: Kauppi & Kauppi
Kebne Outdoor gym
Kebne - Five units and a sign
Credit: Kauppi & Kauppi
Kebne
Kebne units in a row formation
Credit: Kauppi & Kauppi
Kebne
Sign with pictographic symbols as guidance and inspiration to common exercises.
Credit: Kauppi & Kauppi
Kebne
One of two units with wood plateaus made out of Accoya
Credit: Kauppi & Kauppi
Kebne
First prototype test
Credit: Kauppi & Kauppi
Kebne
Kebne scenery on a wooden deck
Credit: Kauppi & Kauppi
Kebne
Kebne scenery by the sea
Credit: Kauppi & Kauppi
Kebne
Kebne in a park
Credit: Kauppi & Kauppi
View the full project here

Can Braided Bamboo Shift Bike Frame Design?

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What would it take to make bamboo bicycles more exciting? Lance Rake thinks a wickery weave could change bike design for the better. Rake is an industrial designer and researcher at Kansas State who has been exploring bamboo materials for years. His aim is finding new structural options for the ancient grass, to make modern fabrication options more sustainable - and more interesting. And the HERO bike project is certainly more interesting. 

Bamboo is already a common construction and frame material in parts of the world where it is natively grown and worked, but it's a relatively cumbersome novelty in the international bike market. The impressive blend of strength and flexibility makes bamboo a desirable replacement for many other fibers and metals, but the density of the bamboo culm presents a strength/weight dilemma in bike tubing. 

Bikes these days have to be both light and dynamically tough. With this in mind, Rake has developed a woven and laminated bamboo tube that offers many of the appealing strengths of carbon fiber, with added resilience and a more resource-conscientious footprint and a much thinner wall than common bamboo bike tubing. 

Though he started with a traditional road frame design, this woven HERO prototype would allow variability in tube dimensions, and offer a range of shock absorption and stiffness that sounds similar to more familiar steel and carbon characteristics, while still shaving weight compared with solid bamboo.

Many of Rake's previous projects (like the Semester bike) used traditional bonded bamboo tubes or composites of thicker bamboo planks, and this iteration takes their environmental aims to a dramatic new level. 

The current version of the finished HERO Bike weighs in at 19 pounds. With a traditional sleeved bottom bracket, seat cluster and front end that's an impressive amount of strength and weight savings for a material we're used to relegating to garden furniture. 

Have you worked with woven bamboo? Would you consider testing a woven frame? Or would you have to be a basket case?


Best Practices for Adding Ribs and Gussets to 3D Printed Parts for Structural Integrity

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When designing components that will be made of plastic, it's often necessary to add ribs and gussets to improve the stiffness and strength of load bearing features. This reduces material volume and print time for 3D printed parts, compared to the time it would take to make these features out of solid structures.

That's because print time is largely driven by the volume of material for a specific component, so ribs and gussets work to optimize print time, while maintaining structural integrity. Furthermore, adding ribs and gussets will create a plastic part that's a closer representation of an injection molded part for mass production.

Ribs and gussets are commonly used in injection molding because the parts are very sensitive to thick wall sections and variations in wall thickness. A variety of defects, such as shrinkage and warping, can occur if the features on injection molded parts are too thick.

The image below features ribs on the left bosses and four gussets on the boss on the right:

In this post I'm going to first quantify the structural benefits of adding gussets and ribs to your part designs using FEA studies, and then walk you through the best practices for proper application of these features to plastic prototypes.

Quantifying the Structural Benefits of Gussets and Ribs

Ribs and gussets seem like small features, but the FEA (finite element analysis) studies below demonstrate their importance from a structural standpoint.

Gussets

The image below depicts a five lbf (pound-force) load on the boss with gussets, to demonstrate total stress and deflection in the current state. All of these simulations use the material properties of ABS, so they're consistent with common 3D printing materials.

As you can see in the results below, the majority of the part is stressed to the 400 psi range, with the maximum stress reaching just over 1,200 psi (not shown, as it is on the compressive side). The stress flags are all on the tension side, with the high tensile stress in the range of 1,100 psi.

In the following images, we can see the same FEA study conducted without the presence of gussets, and the stresses are now more than double what we saw in the prior study. This indicates that without gussets, the boss is less than half as strong.

It's immediately apparent that the feature becomes much weaker without the gussets. In fact, this feature is now very near the yield strength of the ABS we have selected (2,900 psi).

In addition to the increase in strength, the parts undergo much less deflection when we add gussets—for applications that require positional alignment or rigidity, this is very important. The side by side images below show just how much more the un-gusseted boss deflects.

We can see that the boss deflects four times as much at the top surface when it has no gussets. This can be a major problem for both function and aesthetics.

Gussets do not always have to appear angled, as shown above. They can also be straight features, as detailed in the image below:

Ribs

Our next example shows another way we can use ribs when not attached to a boss. Let's start by looking at two different versions of a shelf:

The shelf on the left features added support ribs, while the shelf on the right has all of the ribs removed.

By now, you've probably figured out that ribs will add strength and rigidity to the shelf, but can such thin features really provide that much support?

To quantify the benefit of our ribs, we'll conduct another FEA study. In this study, we'll analyze the impact of a 50 lbf box with base dimensions of approximately 6" x 8". We'll use ABS for the shelf material again and simulate the support legs of the shelf by fixing the flat inner circle of the leg supports.

The setup is shown below:

We'll start out by solving the FEA with the ribs included to locate the high stress regions. This information will be used to drive our safety factors, as well.

For this design, I want to target no less than a 3:1 safety factor, since it's load bearing. The image below details the results of the study:

The maximum stress is 825.1 psi, located in the round features that are used to support the legs of the shelf. Given that we're using ABS with a yield strength of 2,900 psi, our safety factor is 3.5, which exceeds our requirements.

In the next image, we've run the same FEA study on the shelf without the additional support ribs.

Here, we see the stresses shoot up to 1,288 psi, and many other locations within the shelf are stressed to a much higher level, as well. Our safety factor has also been reduced to 2.3, which is well below our requirement.

The safety factor and load rating aren't the only factors we'll look at. Once again, we'll visit deflection because excessive deflection will be unattractive and less stable than a flatter shelf.

In the image below, the top picture is of the loaded shelf with ribs, and the bottom picture is of the shelf without the additional ribs.

We can see that not only is the maximum displacement an order of magnitude higher in the shelf without ribs, but the center of the shelf is sagging like a bag. These illustrations are exaggerated to detail the direction of deflection, but 0.35" is an unacceptable amount of deflection, in any case.

The Proper Application of Ribs

Now that we're clear on the importance and benefits of ribs, it's important to understand their proper application as ribs added in the wrong direction or orientation are often useless.

To demonstrate this, we'll look at a plate that's supported on both ends as shown below, with a ten lbf load placed in the middle.

After solving the FEA, we can see quite a bit of deflection under such a low load. The following image details our results:

So, we know we need ribs. At this point do we just start throwing lines and extrusions on the part at random?

Mathematically, it's best to add height in the direction of loading, so that means if we're looking at the part from the front, as shown above, we want the part to look taller from the addition of ribs.

In the image below, you can see I've added three ribs that are 0.25" tall.

If you guessed that we were going to run another FEA study, you are absolutely correct! The image below is of the same FEA study as above, but with our newly added ribs:

We've cut our total deflection down by almost an order of magnitude again, simply by adding three small ribs!

Now, let's look at the wrong way to add ribs. We can see that the ribs in the study above were all connected to support features and had increased height in the direction of loading. Now let's investigate what happens if we change the direction of the ribs 90 degrees, as shown below:

Yet again, we will turn to our trusty FEA study to see what happens when we place the same load on this component:

In this study, we can see that we get little to no benefit from these ribs because they don't actually connect to any of the support features.

The deflection is barely less than our original case, with no ribs at all. If the shelf were fixed on the front face, these ribs would actually help, but in these studies, the shelf is only supported on the left and right ends.

Design Guidelines

Ready to test physical prototypes of your designs? The design guidelines for 3D printed parts are relatively simple:

- Ensure that wall thickness is within the recommended guidelines of the machine and/or process you will be using. If you're using the Fictiv platform, this information will be found under the compare materials tab in your part details page:

- On long, thin-walled sections, ribs may also prevent warpage that is induced during the fabrication process.

- No draft angle is required, so wall thickness can be held constant where necessary.

- For production, keep in mind that injection molded parts face a different set of requirements because the manufacturing challenges are much different.

- I've summarized some of the guidelines found here that are specific to ribs and gussets:

- Rib thickness should be 60-80% of wall thickness.

- To increase stiffness, it's advisable to increase the total number of ribs instead of the height (in some instances, this may not suffice).

- Rib height should be limited to three times the wall thickness or less, where possible (this may also be unavoidable in some load cases).

- Core out thick ribs and/or rib intersections to maintain constant wall thickness.

Main Takeaways

The addition of ribs and gussets greatly improves plastic parts' strength, without adding too much material that might lead to longer build times for 3D printers or manufacturing defects for injection molded parts.

Of course, the improper application of ribs provides little to no benefit, so the best way to get a feel for incorporating ribs is to play around with your designs and, of course, iterate early and often!

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This post is provided by Fictiv, the most efficient manufacturing platform for fabricating parts. Powered by a distributed network of highly vetted vendors, the online interface makes it easy for customers to get instant quotes, review manufacturing feedback, and manage orders—all through a single service.


The World's Most Industrial-Designey, Technically-Complicated Dual-Tank Booze Flask

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Discommon sounds like the world's most fun design firm to work at. A cross between a blue-sky skunkworks and a practical product development shop, founders Neil Ferrier and Jeremy Hadden--who refer to themselves as "Chief Disruptor" and "Chief Technical Disruptor," respectively--see the firm as the place where they can "create the pieces that were stuck in our heads.

Collaborating with designers from all fields (from automotive to super yachts) we have given a simple promise: work with us and we will make exactly what is in your head. No corporate bs, no market studies, no asking for approval from the product team, just unadulterated execution of creativity using the coolest materials and processes from around the world.
…Our designers go unnamed - Why? Most of them are heads of design departments in globally recognized brands. We offer them an outlet to moonlight, some creative freedom, but more importantly, a guarantee that we will make whatever badass gear they design with us.

Here's one of the wicked products they released this year, for Scotch distillery Macallan: It's the world's most overdesigned, technically-demanding booze flask, produced in collaboration with ultra-anal Swiss watch company Urwerk. It was a three-year project!

The video explaining it is funny; I do like a German-Swiss sense of humor, and I laughed out loud at engineer Cyrano Devanthey's shit-eating grin at 1:45.



The Industrial Design Prototyping Process, Part 5: Building the Main Body & Base Plate

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Here in Part 5, the prototype of the mobile solar charging platform gets a body and base plate. Industrial designer Eric Strebel, founder of Botzen Design, shows how he turns a chunk of Ren modeling foam into the body on a more old-school tool than the laser cutter he used last time, this time going with a lathe. He also cuts a base plate for the unit out of styrene. 

Thus far it's great to see the combination of old-school manual and new-school digital tools used in Strebel's prototyping process.


Beautifully Designed Tiny Houses... For Birds

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Can't make the leap into tiny house life yourself? Maybe it's best left for the birds. Portland, ME artist Jada Fitch has woven her love for art, feathered folks, and stylish architecture into a series of impeccably appointed bird feeders. 

Fitch's artwork ranges from delicate realistic paintings of favored species to minute furniture design, and into DIY flat packing. All of the bird feeders feature a central benefit: you can stick them to the outside of your window and watch the feasting firsthand. 

One range of tiny houses is handmade and painted wood, styled after bungalows. They come with bright paint jobs, fun flooring, and stunning miniature portraits of other birds painted inside the home. 

These are a far cry from the boring Scout project boxes I built as a kid, with the added tragicomedy of being fancier than any house I've lived in this decade. 

I could probably afford to rent the porch

Her other birdhouse design (previously available on Etsy as recently as April) is a flat packing corrugated plastic house with pop-up furniture. The print has a stylish midcentury feel, and the cutout flowers and grandfather clock will remind these tiny dinosaurs that they're avian royalty.

Reviews for the feeders report that the suction cup design holds well, even in high winds, and the peeping tom appeal is great. Slightly less dramatic than a soap opera but ideal for watching while listening to your NPR stories. Just don't forget that the glass works both ways.

Move Over Boston Dynamics: Mech Cyborgs Are Working At Lowe's

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Did you know that Lowe's had a robotic innovation lab? Well you've been missing out. While we've been hand wringing over creepy new cyberdogs and oddly graceful rollerskaters Lowe's has calmly been rolling out a robot exosuit for its human employees. 

The Lowe's Innovation Lab started its human+ journey with the goal of assisting workers whose work requires tiring heavy lifting. In areas of the store focused on deliveries and loading employees can spend around 90% of their time doing heavy lifting. The lab called in the wearable tech knowledge of Alan Asbeck, an assistant professor in the Department of Mechanical Engineering at Virginia Tech's College of Engineering, and enlisted his team in designing an assistive solution. 

Jump to 00:51 to see the flexing clearly

The Virginia Tech team, made up of four undergraduate and four graduate students, studied body mechanics and materials properties via the school's assistive robotics lab. Their work developed a system that reduced a wearer's effective lifting load to that of the user's normal body weight. This kind of boost makes safely and comfortably picking up concrete, paint buckets, lumber and furniture a good deal easier. 

Four of the resulting prototypes are currently in use on the floor of the Christiansburg, VA Lowe's store, where employees are testing their limits and strength. 

The design is a lightweight blend of hard, soft, rigid and flexible elements, coming together in a unit that looks like a hiking pack with leg bands and a longbow strapped to the back. The body-facing attachments are soft textile, and lift-assisting spring parts are carbon fiber. 

As the wearer bends over to pick up a heavy or large object, the rods in the carbon fiber "spine" flex, storing potential energy that then wants to spring back into shape, assisting the user in straightening back up. 

In academic research "soft robotics" tends to cover a different type of (more theoretically useful) functions, but this mix of high and low tech puts a human face on how soft material robotics can enter human spaces. The exosuit's ability to integrate human strength and mechanical assistance is a promising look at where our mecha fantasies might get real in the near future. And hey, even if the suit's function is as mundane as helping load lumber into your minivan, it's much more inviting than an unstoppable robodog.

Our Favorite Student Work from NYCxDesign

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NY Design Week officially came to a close last week, but that doesn't mean we're done marveling over our favorite student work seen at NYCxDesign. Throughout the month of May, we spotted some of the best student work at ICFF and WantedDesign Manhattan and Brooklyn. Experimenting with materials and technology and tackling real-world scenarios like designing for people with Alzheimer's, students didn't hold back their creativity in the least this year.

Each show brought with it very different types of student work. Without surprise, ICFF focused on furniture design, where we saw everything from silicone dipped felt chairs to reimagined prison furniture. The WantedDesign shows brought more experimental projects to the table, including a hugging chair designed to comfort children with mental challenges like autism. No matter what their medium, material or end goal was, all of these projects here represent the best of the best in up-and-coming design.

University of Cincinnati's section 001 at ICFF
University of Cincinnati took a holistic approach to their booth, showing metal and wood furniture that could be seen in a dorm, classroom or home environment. For many undergraduate students involved, this was their first time making furniture. We were impressed with the sophisticated lines we saw, especially with the bench and garment rack.
Photo credit: Core77
University of Cincinnati's section 001 at ICFF
University of Cincinnati took a holistic approach to their booth, showing metal and wood furniture that could be seen in a dorm, classroom or home environment. For many undergraduate students involved, this was their first time making furniture. We were impressed with the sophisticated lines we saw, especially with the bench and garment rack.
Photo credit: Core77
Drexel Product Design at ICFF
A playful band-aid detail on Carl Durkow's table at Drexel Product Design's ICFF booth.
Photo credit: Core77
Drexel Product Design at ICFF
Laeticia Mabilais Estevez's Fig Chairs explore evolving relationships between any two people sitting in the chairs. The cord connecting the chairs isn't rigid, so the two chairs can be moved closer together or apart based on the two subjects' relationship at any given moment.
Photo credit: Core77
Drexel Product Design at ICFF
The chairs are made from cotton clothesline, jute cord and wool felt.
Photo credit: Core77
Drexel Product Design at ICFF
Matthew Dessner'smultidimensional chair.
Photo credit: Core77
Drexel Product Design at ICFF
Each wooden spoke was cut and applied by hand... needless to say, it took awhile to assemble.
Photo credit: Core77
Drexel Product Design at ICFF
Ignacio de Socarraz-Novoa'sstrikingILAAM Shelf held its own at Drexel Product Design's ICFF booth.
Photo credit: Core77
Drexel Product Design at ICFF
Silicon and felt merge to create this otherworldly chair by Helen Burgess. Before you touch it, you're not sure what to expect, but when you finally do, it's hard to keep your hands off of it!
Photo credit: Core77
San Diego State University x Wilsonart Laminates at ICFF
For their annual sponsored chair competition that invites students to create furniture using their companies laminate, Wilsonart invited students from San Diego State University to create charis for ICFF under the theme, "Borders, boundaries and mashups" as a celebration of San Diego's diverse multicultural environment.
Photo credit: Core77
View the full gallery here

Two Speakers that Complement Each Other Like Siblings

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The Crave product line up comprises of two products, the Crave 360, and its bigger brother, the Crave Multi-Room. The speakers use both Bluetooth and Wireless technology to connect with each other and your smart device, which is used to provide the music. The Crave 360 has an integrated battery, which adds versatility to make the speaker portable. Interaction with the speakers is easy as the Crave 360 and the Crave Pro are controlled with a volume knob that rotates for those adjustments. The top

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