The first Flotspotting of the New Year picks up where the last one left off: Vil Tsimenzin's shiny vehicle renderings are as sweet as eye candy gets. Whereas Jon Pope's renderings were somewhat cartoon-y (in a good way) to belie the clever mechanisms behind them, Vil's are perhaps cartoonishly slick, each and everyone like, say, a concept Batmobile.
The crisp, unnaturally pure hues amplify the visual effect—a superficial similarity between Tsimenzin and Pope, perhaps—but the level of detail is remarkable in itself. If the renderings lack a bit of real-world grime or a hard-earned patina, the vehicles' pristine appearance is precisely the intention of a digital drawing.
As for "Super Duty":
And to answer Bruce Wayne's inquiry: yes, it does come in black.
