The Saji Chair - Ash veneer and mild steel
Sitting in the emergency room after sustaining a somewhat minor chisel wound to her forearm, Laura Kishimoto calmly taught those around her to fold origami parabolas. The injury was a small price to pay in fabricating her latest design, Saji Chair, a marvel of geometry not far off from the parabolas she was creating that night.
A senior in the Department of Furniture Design at the Rhode Island School of Design, Kishimoto often looks to geometry for inspiration, an influence that is evident throughout her work. President of the Origami Club in high school, half-Japanese Kishimoto has been toying with the limits of paper to create new forms from a young age.
Close up of Leaf Chair, made from craft paper, epoxy resin, expanding foam, mild steel
Star Weaving, wooden dowels and elastic bands
"Geometry is both a tool and a crutch in my design process," says Kishimoto. "I find it impossible to create an original idea without some foundation to build upon. Geometry is very useful in this respect since it is an established system of rules, easily broken down into logical patterns. Its abundance in the natural world also irretrievably links to our subconscious conception of beauty."
Working in the determined system of mathematics, Kishimoto tries to break that sense of predictability to maintain an element of intrigue. By adapting a more intuitive process, she strives to create unique forms in each piece that departs from the expected to arrive at unparalleled results.
Below are three of her projects, the Yumi Chair, Tessellation Cabinet, and Nautilus.
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