Stockholm's Konstfack is among the university design departments that occupy the removed North Building of the Javits Center this ICFF, a more manageable—albeit somewhat sparsely populated—exhibition hall in contrast to the main floor of ICFF. Despite—or perhaps because of—the largely theoretical curriculum of graduate programs in Industrial Design, the 11 first-year Master's candidates at Konstfack undertook a self-initiated project to actually make objects, which they first exhibited during Stockholm Design Week back in February. According to the Negative Space website:
What is a negative space?
Can it be framed by something other than matter?
Can a negative space be made tangible?
Ten explorations on the possible meanings of negative space showcasing new and intriguing perspectives. By shifting focus from matter to the space that it occupies, the designers have found new ways of working by investigating the relationship between objects and the surrounding space. Presented here are a series of individual interpretations of negative space, culminating in a fascinating interplay between form, memory, movement, light and time.
Insofar as the theme itself is intangible, the students took a broad range of approaches; even in the case of light, which might be considered an easy metaphor for space, the inspiration and execution varied significantly. Nevertheless, the overall aesthetic of the work is quite minimal, in keeping with both the theme and Scandinavian design language in general.
Unfortunately, the logistics of overseas travel and the tradeshow setting made for a somewhat attenuated exhibition—i.e. the convention center simply isn't the ideal context for exhibiting the highly conceptual work. (I find that the Javits Center, for all its cavernous, harshly-lit real estate, is something of a 'negative space,' if you'll excuse the pun.) In any case, the students were excited to be in New York—a first for many of them—and they were eager to share their work.
Daphne Zuilhof's "Spin" stool inspired friendly jealousy amongst her peers for it's packability. It takes it name not from the English verb but for the Dutch word for 'spider,' where its collapsible legs delimit a volume that is a usable space.
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